137 Views
42
View In My Room
Painting, Oil on Wood
Size: 11.8 W x 11.8 H x 1.2 D in
Ships in a Box
137 Views
42
Artist featured in a collection
This contemporary figurative painting features two female figures in an abstracted landscape, passing each other by unnoticed as they go about their daily business. It is up to the viewer to decide if this is a comment on the emptiness of modern life. I create texture and pattern using carefully selected colours, using plastic scrapers and rollers. After the paint has dried, I then ‘identify’ the figures I want and let me imagination run riot. The painting itself often dictates who is ‘present’! Highly textured, the work is created with artist quality materials, it is painted round the edges and is ready to hang.
2021
Oil on Wood
One-of-a-kind Artwork
11.8 W x 11.8 H x 1.2 D in
Not Framed
Not applicable
Ships in a Box
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
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United Kingdom
UK-based painter, Julie Cross, creates enigmatic figurative works that are impressionistic/expressionistic, characterised by rich textures and powerful gestures. Mostly working with semi-abstracted female forms, she seeks to highlight some of the essentials of human existence, such as the interconnections between humans and their environment, the mysteries of memory and the role of fate. "Gesture and silhouette are vital as I attempt to distil only the very essence of an idea or narrative," says Julie. "I am fascinated by people and their stories, and texture and light are often the visual (and physical) qualities that I most like to utilise in my complex, multi-layered work." Julie is influenced by the sense of mystery of the early figurative work of Nathan Oliveira and the Bay Area Figurative movement, as well as the visceral paint handling of Walter Sickert and the post-impressionists. Her paintings often have fascinating layered surfaces that can take months, even years to create, as she applies, abrades and even completely removes paint, so that time itself helps create the surface and suggests figures. This attempt to create and find meaning from the dense and sometimes fractured substrate is akin to the creation of memory, story and life itself.
Artist featured by Saatchi Art in a collection
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