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Portrait of a Spanish Woman Knitting Painting

Stephen Robertson

United Kingdom

Painting, Oil on Canvas

Size: 19.7 W x 19.7 H x 0.6 D in

Ships in a Box

SOLD
Originally listed for $255

950 Views

22

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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This is a portrait of Ana Sanchez-Forner, also an artist, but seen here knitting. My studio is situated at the rear of Ana's wool shop, and so she was a handy model. You can make out a knitting needle near the bottom of the painting on the left, as a diagonal line. Painted in my usual thick impast...

Year Created:

2015

Subject:
Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 19.7 H x 0.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Hi, welcome to my page! I hope you enjoy browsing my work. My paintings are exactly what they appear to be. There’s no symbolism or nuance and it’s not necessary to interpret. They’re raw, direct experiences of people and things, and they’re painted in a raw, direct way. So in that sense, they are what they are. I complete each work in one session. If they’re not finished within that time, the moment is irretrievably lost and the painting is scraped or abandoned. It doesn’t work any other way. New paintings are then painted over old. Why I should need to work this way is rooted in a kind of shock of realising ‘what is’. I have always been a little shocked by the immediacy of ordinary experience, and throughout my development as a painter, I’ve worked to represent that as accurately as possible. This explains the ordinariness of my subject matter, and the narrow range of people and subjects I choose. I paint the people I know (not many), and I paint the things around me. So, no grand themes of life. Instead, I paint the intimacy of familiarity, but seen anew, such as in those moments of clarity when the ordinary and familiar seems strange and unfamiliar. I believe those moments are gifts of true awareness. To see what’s really there, even if it’s been seen a thousand times before. There’s something almost miraculous about that. Perhaps that’s my true intention. My paintings may sometimes remind others that it’s possible to see the miraculous in ordinary things. If you have any questions or comments regarding my work, I'll be very happy to hear from you.

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