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Rêverie Painting

Nicole Caron

Canada

Painting, Oil on Canvas

Size: 24 W x 24 H x 0.7 D in

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$985

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About The Artwork

Voici un champ de coquelicots aux couleurs vibrantes de rouge, oranger, bleu et de jaune doré. Réalisé au couteau et à l'huile, l'artiste travaille en appliquant de fines couches de peinture. C'est un travail de patience. Le ciel au bleu azuli et la plaine dorée se fondent ensemble. Ce tableau texturé aux allures à la fois impressionniste et contemporain rappelle de magnifiques souvenirs de l'artiste lors de son séjour en Provence. L'artiste s'est inspiré de son roadtrip en France pour réaliser ce tableau. Les champs de coquelicots sont tellement impressionnant dans la belle Provence !

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 24 H x 0.7 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1963 in Trois-Rivières in the province of Quebec Canada, Nicole Caron is an emerging and self-taught painter. Her representation of light, Quebec landscapes and flowers is a source of inspiration. From a very young age, she did not hesitate to ask her mother who painted for pleasure "Please, you want to paint a pot of flowers? " Nicole Caron's semi-figurative paintings are rich in light, density and texture. These are created only with spatula and oil. When one observes his works, one finds in particular colors of earth, ocher, gray of payne animated by energetic movements. Through her paintings, Nicole Caron wants to offer light, clarity, spontaneity and above all a lot of energy. The observations of nature are continually represented and repainted in the artist's mind. What the artist wants is to offer observers of his paintings his vision of the beauty of flowers, landscapes and abstract art integrated with a composition of unique colors. Inspired by Armand Tatossian, Riopelle, Borduas, Nicole Caron wishes to pursue an artistic approach, a style and a signature that are unique to her.

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