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The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In the series "Rainbow Body" I make use of both. The classification leads to so-called "stripe art". Decorative art does not appeal to my own sensation, so I interpreted it in my own way. Light and space are components of my artwork. And color development is one of my priorities. The pictures are drawn with the spatula. The irregular hand pressure gives a wonderful lively development of the lines. The "line row" tells their story of change from impasto to wafer-thin, from visible to dissolved, from permanent to broken, from one color to another. This development which manifests itself in each "line row" results in the overall image effect. The color structure is precisely considered. The color nuances are mixed and prepared for days long. The interaction is built on two levels.
The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In the series "Rainbow Body" I make use of both. The classification leads to so-called "stripe art". Decorative art does not appeal to my own sensation, so I interpreted it in my own way. Light and space are components of my artwork. And color development is one of my priorities. The pictures are drawn with the spatula. The irregular hand pressure gives a wonderful lively development of the lines. The "line row" tells their story of change from impasto to wafer-thin, from visible to dissolved, from permanent to broken, from one color to another. This development which manifests itself in each "line row" results in the overall image effect. The color structure is precisely considered. The color nuances are mixed and prepared for days long. The interaction is built on two levels.
The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In the series "Rainbow Body" I make use of both. The classification leads to so-called "stripe art". Decorative art does not appeal to my own sensation, so I interpreted it in my own way. Light and space are components of my artwork. And color development is one of my priorities. The pictures are drawn with the spatula. The irregular hand pressure gives a wonderful lively development of the lines. The "line row" tells their story of change from impasto to wafer-thin, from visible to dissolved, from permanent to broken, from one color to another. This development which manifests itself in each "line row" results in the overall image effect. The color structure is precisely considered. The color nuances are mixed and prepared for days long. The interaction is built on two levels.
The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In the series "Rainbow Body" I make use of both. The classification leads to so-called "stripe art". Decorative art does not appeal to my own sensation, so I interpreted it in my own way. Light and space are components of my artwork. And color development is one of my priorities. The pictures are drawn with the spatula. The irregular hand pressure gives a wonderful lively development of the lines. The "line row" tells their story of change from impasto to wafer-thin, from visible to dissolved, from permanent to broken, from one color to another. This development which manifests itself in each "line row" results in the overall image effect. The color structure is precisely considered. The color nuances are mixed and prepared for days long. The interaction is built on two levels.
The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In the series "Rainbow Body" I make use of both. The classification leads to so-called "stripe art". Decorative art does not appeal to my own sensation, so I interpreted it in my own way. Light and space are components of my artwork. And color development is one of my priorities. The pictures are drawn with the spatula. The irregular hand pressure gives a wonderful lively development of the lines. The "line row" tells their story of change from impasto to wafer-thin, from visible to dissolved, from permanent to broken, from one color to another. This development which manifests itself in each "line row" results in the overall image effect. The color structure is precisely considered. The color nuances are mixed and prepared for days long. The interaction is built on two levels.

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View In My Room

Rain of Light Painting

Juliana Do

Austria

Painting, Oil on Canvas

Size: 59.1 W x 39.4 H x 0.8 D in

Ships in a Tube

SOLD
Originally listed for $4,250

146 Views

12

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The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In the series "Rainbow Body" I make use of both. The classification leads to so-called "stripe art". Decorative art...

Year Created:

2019

Subject:
Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

59.1 W x 39.4 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Bulgaria.

Customs:

Shipments from Bulgaria may experience delays due to country's regulations for exporting valuable artworks.

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„As color research translated into painting, the artist understands this and other of her works, which are characterized by the approach of finding the concrete out of the abstraction to the concrete of the color. In this, she has developed a mastery, which is increased by the fact that she creates deep spatial effects from the combination of materials and their specific application on the painting surface“. Writes Dr. Konrad Scheurmann in his book, Dialogue Color - Contributions from Science, Art and Society by André Karliczek and Dr. Konrad Scheurmann 2017

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Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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