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Renty, or his other name "Noah's son" is a chilling evidence of the widespread
slavery in the 18th and 19th century across the USA, especially in the south.
Renty is the real name of the painted character.

The photo of Renty (one in a series of similar photographs), was commissioned
by biologist Louis Agassiz and was shot by photographer Zealy J.T in March 1850
to demonstrate the inferiority of the origin of the black man.

The photograph that is displayed in the Peabody Museum, Harvard University
shows an immortal and rare point of view of the humiliation experienced by
Renty as a slave and as an object of scientific curiosity, as there is no other
good reason for a black slave to appear on a photograph alone at a time 
when not everyone could afford to be photographed. I want to thank the
museum for the permission to use the photograph and paint it.

This is how I close this deal for Renty for the humiliating position he experienced. I remember marveling into his painful gaze. In my painting Renty was left hurt and scarred, but he still stands straight and firm. No more bending. Tough,strong and more exposed than ever on a stretched white fabric size 150/200 cm. Like black ink on white paper, Renty dares to look directly at anyone who dares to stare back. For anyone who feels uncomfortable because of his glance, I would recommend doing some soul-searching, and those with a clean heart will discover how beautiful Renty is... 
The painting took part in two international contests in Dubai and London. 
The painting was exhibited in LA billboard creative show on December 2016 -  Hollywood.
Renty, or his other name "Noah's son" is a chilling evidence of the widespread
slavery in the 18th and 19th century across the USA, especially in the south.
Renty is the real name of the painted character.

The photo of Renty (one in a series of similar photographs), was commissioned
by biologist Louis Agassiz and was shot by photographer Zealy J.T in March 1850
to demonstrate the inferiority of the origin of the black man.

The photograph that is displayed in the Peabody Museum, Harvard University
shows an immortal and rare point of view of the humiliation experienced by
Renty as a slave and as an object of scientific curiosity, as there is no other
good reason for a black slave to appear on a photograph alone at a time 
when not everyone could afford to be photographed. I want to thank the
museum for the permission to use the photograph and paint it.

This is how I close this deal for Renty for the humiliating position he experienced. I remember marveling into his painful gaze. In my painting Renty was left hurt and scarred, but he still stands straight and firm. No more bending. Tough,strong and more exposed than ever on a stretched white fabric size 150/200 cm. Like black ink on white paper, Renty dares to look directly at anyone who dares to stare back. For anyone who feels uncomfortable because of his glance, I would recommend doing some soul-searching, and those with a clean heart will discover how beautiful Renty is... 
The painting took part in two international contests in Dubai and London. 
The painting was exhibited in LA billboard creative show on December 2016 -  Hollywood.
Hollywood 2016
Renty, or his other name "Noah's son" is a chilling evidence of the widespread
slavery in the 18th and 19th century across the USA, especially in the south.
Renty is the real name of the painted character.

The photo of Renty (one in a series of similar photographs), was commissioned
by biologist Louis Agassiz and was shot by photographer Zealy J.T in March 1850
to demonstrate the inferiority of the origin of the black man.

The photograph that is displayed in the Peabody Museum, Harvard University
shows an immortal and rare point of view of the humiliation experienced by
Renty as a slave and as an object of scientific curiosity, as there is no other
good reason for a black slave to appear on a photograph alone at a time 
when not everyone could afford to be photographed. I want to thank the
museum for the permission to use the photograph and paint it.

This is how I close this deal for Renty for the humiliating position he experienced. I remember marveling into his painful gaze. In my painting Renty was left hurt and scarred, but he still stands straight and firm. No more bending. Tough,strong and more exposed than ever on a stretched white fabric size 150/200 cm. Like black ink on white paper, Renty dares to look directly at anyone who dares to stare back. For anyone who feels uncomfortable because of his glance, I would recommend doing some soul-searching, and those with a clean heart will discover how beautiful Renty is... 
The painting took part in two international contests in Dubai and London. 
The painting was exhibited in LA billboard creative show on December 2016 -  Hollywood.

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View In My Room

'Renty' Painting

shai yossef

Israel

Painting, Oil on Canvas

Size: 59 W x 78.7 H x 2 D in

Ships in a Crate

SOLD
Originally listed for $19,620

503 Views

4

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ABOUT THE ARTWORK

Renty, or his other name "Noah's son" is a chilling evidence of the widespread slavery in the 18th and 19th century across the USA, especially in the south. Renty is the real name of the painted character. The photo of Renty (one in a series of similar photographs), was commissioned by biologist Louis Agassiz and was shot by photographer Zealy J.T in March 1850 to demonstrate the inferiority of the origin of the black man. The photograph that is displayed in the Peabody Museum, Harvard University shows an immortal and rare point of view of the humiliation experienced by Renty as a slave and as an object of scientific curiosity, as there is no other good reason for a black slave to appear on a photograph alone at a time when not everyone could afford to be photographed. I want to thank the museum for the permission to use the photograph and paint it. This is how I close this deal for Renty for the humiliating position he experienced. I remember marveling into his painful gaze. In my painting Renty was left hurt and scarred, but he still stands straight and firm. No more bending. Tough,strong and more exposed than ever on a stretched white fabric size 150/200 cm. Like black ink on white paper, Renty dares to look directly at anyone who dares to stare back. For anyone who feels uncomfortable because of his glance, I would recommend doing some soul-searching, and those with a clean heart will discover how beautiful Renty is... The painting took part in two international contests in Dubai and London. The painting was exhibited in LA billboard creative show on December 2016 - Hollywood.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

59 W x 78.7 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Shai Yossef. Born in March, 1980. Married, father of three children. Live in Israel in Rosh Ha'ain. ​ I like to "sculpt" my artworks on the canvas. They are very texuturized, large-scale, colorful and often engage in social values. My original paintings and signed prints are sold national wide and around the globe, and I couldn't be more joyous for that. ​ Thank you! ​ You can visit my gallery , comment and contact me. ​ With love, yours, ​ Shai.

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Artist featured in a collection

Artist featured by Saatchi Art in a collection

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