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I've been painting borderline abstract expressionistic paintings to try to capture the experience of the Ocean. These have taken weeks and are layered and repainted, and layered.
I stretched a new canvas, thinking I was going to start yet another attempt at capturing the lure of the Ocean,

Instead I drew on it, lightly. I love the Lascaux cave paintings and I am enamored with the concept of The Roebuck in the Thicket who calls one to leave the well trodden path and create a new one. This is explained in far more detail by Joseph Campbell and Robert Graves in "The White Goddess".

Normally I would start adding more paint, maybe some color, but there is something that is so beautiful to me about the simplicity of this piece. 
I decided to try something new, and leave it as it is, a memory, a movement, something so light that it cannot be captured.


It is painted and drawn on canvas. I stretched and sized lightly with rabbit skin glue. I love the feel and look of raw canvas, so I added another layer of Gamblin PVA sizing.
I've been painting borderline abstract expressionistic paintings to try to capture the experience of the Ocean. These have taken weeks and are layered and repainted, and layered.
I stretched a new canvas, thinking I was going to start yet another attempt at capturing the lure of the Ocean,

Instead I drew on it, lightly. I love the Lascaux cave paintings and I am enamored with the concept of The Roebuck in the Thicket who calls one to leave the well trodden path and create a new one. This is explained in far more detail by Joseph Campbell and Robert Graves in "The White Goddess".

Normally I would start adding more paint, maybe some color, but there is something that is so beautiful to me about the simplicity of this piece. 
I decided to try something new, and leave it as it is, a memory, a movement, something so light that it cannot be captured.


It is painted and drawn on canvas. I stretched and sized lightly with rabbit skin glue. I love the feel and look of raw canvas, so I added another layer of Gamblin PVA sizing.
I've been painting borderline abstract expressionistic paintings to try to capture the experience of the Ocean. These have taken weeks and are layered and repainted, and layered.
I stretched a new canvas, thinking I was going to start yet another attempt at capturing the lure of the Ocean,

Instead I drew on it, lightly. I love the Lascaux cave paintings and I am enamored with the concept of The Roebuck in the Thicket who calls one to leave the well trodden path and create a new one. This is explained in far more detail by Joseph Campbell and Robert Graves in "The White Goddess".

Normally I would start adding more paint, maybe some color, but there is something that is so beautiful to me about the simplicity of this piece. 
I decided to try something new, and leave it as it is, a memory, a movement, something so light that it cannot be captured.


It is painted and drawn on canvas. I stretched and sized lightly with rabbit skin glue. I love the feel and look of raw canvas, so I added another layer of Gamblin PVA sizing.
I've been painting borderline abstract expressionistic paintings to try to capture the experience of the Ocean. These have taken weeks and are layered and repainted, and layered.
I stretched a new canvas, thinking I was going to start yet another attempt at capturing the lure of the Ocean,

Instead I drew on it, lightly. I love the Lascaux cave paintings and I am enamored with the concept of The Roebuck in the Thicket who calls one to leave the well trodden path and create a new one. This is explained in far more detail by Joseph Campbell and Robert Graves in "The White Goddess".

Normally I would start adding more paint, maybe some color, but there is something that is so beautiful to me about the simplicity of this piece. 
I decided to try something new, and leave it as it is, a memory, a movement, something so light that it cannot be captured.


It is painted and drawn on canvas. I stretched and sized lightly with rabbit skin glue. I love the feel and look of raw canvas, so I added another layer of Gamblin PVA sizing.
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View In My Room

Roebuck Painting

Melora Walters

United States

Painting, Paint on Canvas

Size: 77 W x 68 H x 0.5 D in

Ships in a Tube

SOLD
Originally listed for $7,090

209 Views

1

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ABOUT THE ARTWORK

I've been painting borderline abstract expressionistic paintings to try to capture the experience of the Ocean. These have taken weeks and are layered and repainted, and layered. I stretched a new canvas, thinking I was going to start yet another attempt at capturing the lure of the Ocean, Instead I drew on it, lightly. I love the Lascaux cave paintings and I am enamored with the concept of The Roebuck in the Thicket who calls one to leave the well trodden path and create a new one. This is explained in far more detail by Joseph Campbell and Robert Graves in "The White Goddess". Normally I would start adding more paint, maybe some color, but there is something that is so beautiful to me about the simplicity of this piece. I decided to try something new, and leave it as it is, a memory, a movement, something so light that it cannot be captured. It is painted and drawn on canvas. I stretched and sized lightly with rabbit skin glue. I love the feel and look of raw canvas, so I added another layer of Gamblin PVA sizing.

DETAILS AND DIMENSIONS
Painting:

Paint on Canvas

Original:

One-of-a-kind Artwork

Size:

77 W x 68 H x 0.5 D in

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Artist featured in a collection

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