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Painting, Engraving on Wood
Size: 28 W x 37 H x 2 D in
Ships in a Crate
249 Views
3
Artist featured in a collection
My work “Saad” ( promise), hopes to offer an insight into the complexities in Mindanao currently. Encompassing ideas of WAR (as in the Zamboanga Siege in 2013, and the Marawi Siege,2017 ) and the consequent DESTRUCTION of human settlements- the work explores aspects of war and its aftermath on our habitat. Peace follows after a war, they say. Yet, it is an illusion. Instead, what follows is a state of psychological hurt on the people, and physical destruction on the environment, which can take generations to overcome. The expressionist imagery in the work references the chaotic politics that surround our environment today. Will our current realities (BOL and ML) translate with that of peace? Will Zamboanga’s image as a harmonious habitat for people of different religions be restored? These are the messages that the images may allude to, intervening between the non-linearity of the narrative and the nuanced figuration. Amid the war-relating subject of this painting, it hopes to effect a contemplative response on the viewer through its formal esthetics. The work process was tedious. At inspired speed, the average time it took me to carve one piece (12x9in), was 3days. A couple of pieces were finished longer than others, such as the parts with houses and Fort Pilar images. Others,such as the 3 bottom parts with no too much details, I did in a day, each. One time I got bored, I did not touch work for 4 days. I got slightly injured too- a cut in my forefinger- once; rested for 2 hours nursing the cut, and continued working. Time overall for the 9-part work: 5 weeks. I was able to maintain the excitement in the otherwise tedious and long process of working a woodcut art, by NOT following strictly every item that I laid down at the project’s beginning : concept,study, sketch guides. I tried to give room to carving-on-the-spot (no sketch) on some areas of the work. I think the output is a compelling one, and I’m happy with it. “Saad” was on-exhibit at Panit Bukog 4, Museum Of Three Cultures, Capitol University, Cagayan de Oro City, Mindanao; November 7- 30, 2019.
Engraving on Wood
10
28 W x 37 H x 2 D in
Brown
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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The vision and concept that inform Edwin Jumalon’s art practice is not the depiction of nature or the linear recording of life experiences. Rather, it is finding the way of shaping incidental narratives through recontextualization of imageries. His liking for synthesis is the factor that makes his art come to light- that which adds up to permitting free rein to the imagination. Eliciting nonrational, divergent, “accidental” messages to unfold in the process, Jumalon’s subject takes place during the act of painting. He juxtaposes images from memory, photographs, nature, and drawings - not of nostalgia, but of spatial play, building up the work and inventing the subject matter. He aims for the composition to be holistic- not to reconstruct sentiments or to rescue memories but to present as effect of the spontaneous excursion with perception. Jumalon lets out unintended narratives to emerge in his paintings...narratives that evoke, rather than describe.
Artist featured by Saatchi Art in a collection
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