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Saferi03 Painting

Marek Kucharski

Poland

Painting, Oil on Canvas

Size: 39.4 W x 55.1 H x 1.2 D in

Ships in a Crate

SOLD
Originally listed for $1,510

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ABOUT THE ARTWORK

SAFERI. SAFERI. SAFERI. SAFERI. SAFERI. SAFERI. SAFERI. SAFERI. SAFERI. Erasing from society. Erasing of society. White bleaching. Eradicating of norms. The picture disappears. Stuck in our homes, little or big, we disappeared. No longer available for the outer world most of us reduced our presence to commuting from and to our self proclaimed safety zones. From home to work, from work home, from home to shop, from shop to oblivion. The shortest distance in the least amount of time was our goal. Back in safety, behind concrete and glass walls we dreamed. And these were beautiful dreams – of exotic vacations on sandy beaches, of excursions to wild forests or visits to beautiful gardens. We dreamed about meeting friends and family, about hugging and kissing strangers. But most of all we dreamed about experiencing the new, something that was unpredictable and coming from outside our safety boxes. The dreams trapped behind a white curtain of paint. Beached to death and erased from our lives they long to be freed. But can this process of disappearing be turned around? The concept is simple – simple as it was to close the doors of our home shelters. My kitchen is my conference room, my living room is my computer hub, my bedroom is my painting studio. All together they have become my gallery. The windows are my frames, pedestrians are my exhibition visitors. During the day they see all the pictures white. By falling of night all their dreams start to come out like nocturnal predators on a SAFERI.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

39.4 W x 55.1 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I always work with the place where my work activity is anchored. It is the space itself that echoes the subject and gives a fertile ground for creation. Found materials such as web data, objects, sounds, written sentences or video recordings play a major role in the process of defining the physical shape of the subject – nevertheless they don’t necessarily have to be included in the final work. In my art practice things often become transmutations of themselves and serve a different meaning by provoking certain associations of geopolitical or scientific character. The relation of things (rather than objects) to space form in my opinion a living network of interconnected actors who are in a constant move and thus define the shape of the world we live in. Aesthetics, politics and mass media mix with dumped furniture, excess web data and diseases to become a language of thought of the New. My strategy implies an endless reformulating of things in space – a final structure is impossible because of the innumerable mutations that occur in a gathering like the so called 'art work'. I treat my pieces more like renderings of a state in a given time rather than something final.

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