Saying Too Little Painting

These artworks are called the “Flying Fires.” I painted these canvases in New York city over the summer of 2021 on the rooftop of my apartment building in the upper east side. The images were inspired by blue sky, arial views of the city, lush green backyards behind the neighborhood buildings, and hot weather. The title of the series, “Flying Fires” arrived from the idea that these pictures were born from colored “flames.” These dabs of oil paint I place on the canvas by intuitive means act as inspiration, improvisation, that morph into language. The mark making travels throughout the different sections of the composition creating a scene. Completely from my imagination, understanding each “word” from the language gives way to specific arrangements, certain decisions. The marks typically begin looser, more organic however conclude as being more geometric. I wanted to create a pallet that was cool in the face of the heat we had this summer. Below is the timeline of when the artworks of the series were completed, starting from beginning to end. The number next to the blurbs indicate the number of canvases I was working on at the time of its making. Moss Dream was the first artwork I created for the series. 1 Pixel Blue was the second artwork finished. It was the quickest and I believe the most enjoyable to paint from start to finish in this series. I made it in about two or three sessions. It began reminding me of being under the sea, however I feel like it lives in a world all to it’s own. 2 Love Game was the third finished. I initially was worried about the pallet of this artwork. The purple and lime greens are a strange choice in pairing, however whenever I looked at the artwork, I couldn’t find anything wrong with it. My rule to completing these artworks was abiding to my “theoretical” knowledge of composition and materiality while disregarding my personal taste. Could these two things be separated? 3 Saying Too Little was also an artwork that was relatively easy to finish. It was an old, red painting of mine that I never managed to complete. I typically use canvases that I find in the trash, especially from my art school days being a resident assistant. However, this canvas I had claimed for my own before I actually finished it. 3 No Matter II was a painting initially from the “Fractals” series that I never finished. It was pink and white and lended itself to being a great ground color. The artwork ended up being a landscape and deeply resembled the original “No Matter” from the “Figments of Imagination” series. 4 Broken Wing was initially a canvas I found in the trash. I was intrigued to paint on it however I thought it might be a challenge as it was heavily textured. It ended up painting itself. I followed along the lines of the original images imposed by the collage that was the surface of the canvas. I thought the sparse, dark blue mark making resembled a flower or a wing. 5 Spirit Heart is the most unique artwork I have made in this group. Initially I wanted to name this artwork “Spirit House” but my partner told me that it was too “Legend of Zelda.” I agreed and replaced “House” with “Heart.” I thought the name was suitable as it was created alongside a song of mine called “Battle of Heart.” I enjoyed the sentiment that the heart could be a house, with rooms. 5 Spacekeeper was the second to last to finish. I initially thought this was going to be the most challenging artwork to finish, however it came out second to final. Granted this canvas was the last to be started, it had a heavy texture from the original painting to combat with. This artwork looks like a mirage of rooms, and different spaces. It was telling of my physical position of being on a rooftop and seeing all the windows to apartments in New York. 2 Saying Too Much was the last artwork to be completed in the series. This artwork was going to be called “Never Ending” as I could never seem to finish it. Something was always off about the composition and I am still not sure if it is finished. However, I feel like it does what it needs to do in terms of showing a picture and sharing a story. One of the last painting sessions for this artwork was conducted out in the rain. The frantic nature of trying to paint before the rain got heavy made for some interesting artistic decisions. I felt as if I was “tagging” or painting graffiti. 1