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But the Raven, sitting lonely on that placid bust , spoke only
That one word, as if his soul in that one word he did outpour
Nothing farther then he uttered ; not a feather then he fluttered—
Till I scarcely more than muttered : “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
Then the bird said, “Nevermore »
Edgar Allan Poe
But the Raven, sitting lonely on that placid bust , spoke only
That one word, as if his soul in that one word he did outpour
Nothing farther then he uttered ; not a feather then he fluttered—
Till I scarcely more than muttered : “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
Then the bird said, “Nevermore »
Edgar Allan Poe
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14

View In My Room

Seagull and crows Painting

Helen Uter

France

Painting, Oil on Canvas

Size: 36.2 W x 25.6 H x 0.9 D in

Ships in a Box

$3,215

Shipping included

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262 Views

14

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But the Raven, sitting lonely on that placid bust , spoke only That one word, as if his soul in that one word he did outpour Nothing farther then he uttered ; not a feather then he fluttered— Till I scarcely more than muttered : “Other friends have flown before— On the morrow he will leave me, as my...

Year Created:

2018

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

36.2 W x 25.6 H x 0.9 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Need more information?

"I paint to tell thrills, feelings, stories that go beyond me. "Je peins pour raconter des sensations, des états d’âme, des histoires qui me dépassent. Je me laisse guider par mes pinceaux, ils m’apprennent quelque chose sur moi, sur le monde aussi. C'est un travail exigeant, un univers parallèle, envahissant, transcendant." Illustratrice, directrice artistique, professeure d’histoire de l’art et d’arts appliqués, Helen Uter est une femme d’images. Parallèlement à son activité professionnelle elle développe des recherches artistiques personnelles. Nourrie des œuvres de peintres tels que Hopper, Vélikovic, Freud, Bacon, ainsi que ceux de la figuration narrative comme Monory, elle a suivi ce conseil : "n'apprenez pas à peindre, peignez !" Helen Uter peint et sculpte depuis 1995. L’originalité de son travail provient probablement de sa double nationalité française et américaine La recherche de ses racines l’entraîne vers des sujets oniriques, parfois troublants, irréels ou ambigus. Ses toiles sont peintes sans recherches d'effets ou d'artifices, au profit de la narration. Des représentations métaphoriques qui expriment des vérités au delà de leur forme visible. A l’objectivité des objets du monde se substitue la subjectivité du peintre. Quand on lui demande d'expliquer ses tableaux, elle cite Francis Bacon : “Si on peut le dire, pourquoi s’embêter à le peindre ?”

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