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But the Raven, sitting lonely on that placid bust , spoke only
That one word, as if his soul in that one word he did outpour
Nothing farther then he uttered ; not a feather then he fluttered—
Till I scarcely more than muttered : “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
Then the bird said, “Nevermore »
Edgar Allan Poe
But the Raven, sitting lonely on that placid bust , spoke only
That one word, as if his soul in that one word he did outpour
Nothing farther then he uttered ; not a feather then he fluttered—
Till I scarcely more than muttered : “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
Then the bird said, “Nevermore »
Edgar Allan Poe
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Seagull and crows
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Seagull and crows Painting

Helen Uter

France

Painting, Oil on Canvas

Size: 36.2 W x 25.6 H x 0.9 D in

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About The Artwork

But the Raven, sitting lonely on that placid bust , spoke only That one word, as if his soul in that one word he did outpour Nothing farther then he uttered ; not a feather then he fluttered— Till I scarcely more than muttered : “Other friends have flown before— On the morrow he will leave me, as my hopes have flown before.” Then the bird said, “Nevermore » Edgar Allan Poe

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:36.2 W x 25.6 H x 0.9 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"I paint to tell thrills, feelings, stories that go beyond me. "Je peins pour raconter des sensations, des états d’âme, des histoires qui me dépassent. Je me laisse guider par mes pinceaux, ils m’apprennent quelque chose sur moi, sur le monde aussi. C'est un travail exigeant, un univers parallèle, envahissant, transcendant." Illustratrice, directrice artistique, professeure d’histoire de l’art et d’arts appliqués, Helen Uter est une femme d’images. Parallèlement à son activité professionnelle elle développe des recherches artistiques personnelles. Nourrie des œuvres de peintres tels que Hopper, Vélikovic, Freud, Bacon, ainsi que ceux de la figuration narrative comme Monory, elle a suivi ce conseil : "n'apprenez pas à peindre, peignez !" Helen Uter peint et sculpte depuis 1995. L’originalité de son travail provient probablement de sa double nationalité française et américaine La recherche de ses racines l’entraîne vers des sujets oniriques, parfois troublants, irréels ou ambigus. Ses toiles sont peintes sans recherches d'effets ou d'artifices, au profit de la narration. Des représentations métaphoriques qui expriment des vérités au delà de leur forme visible. A l’objectivité des objets du monde se substitue la subjectivité du peintre. Quand on lui demande d'expliquer ses tableaux, elle cite Francis Bacon : “Si on peut le dire, pourquoi s’embêter à le peindre ?”

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