169 Views
2
View In My Room
Painting, Oil on Canvas
Size: 96 W x 96 H x 3 D in
Ships in a Crate
169 Views
2
Showed at the The Other Art Fair
Artist featured in a collection
Original abstract diptych oil on canvas, stretched over two sturdy wooden frames. The painting composition extends around the sides of the stretcher, making standard framing, recessed, or unframed all viable options for display. This work is part of a series of large scale abstractions about the people that I love. The compositions are rooted in landscape; the marks are informed by the body. I was coming out of 12 years of intensive figurative study when the pandemic struck and we were quarantined. I could no longer meet with my regular models, friends, communities, or groups. It was really lonely. I am accustomed to spending most of my time with many other people. I attempted to focus this sadness of isolation to make things that would make me feel better. The resource I had in excess was time so I turned my attention to large works. Pieces that required a long period of focus and cure time; things without which could not exist. Each painting, in this series, takes about a month to paint and then about least four months to become dry enough to move and hang. The qualities of the painting are thus that it will take many years for the paint to fully cure. The scale of canvas is such that it has sound dampening qualities and the curing paint bring a warm woody fragrance to a space.
2021
Oil on Canvas
One-of-a-kind Artwork
96 W x 96 H x 3 D in
2
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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United States
Born 1976 in the Lower East Side of Manhattan; currently living in Bushwick, Brooklyn. I am coming out of a decade of figurative watercolor practice, having produced over 10,000 original works in that medium. I have focused the evolution of my work to become more expressive and abstract in line with the painters I most admire: Helen Frankenthaler, William Turner, Cai Guo-Qiang, Franz Kline, Hans Hoffman, Alexander Calder, and Koji Kakinuma. During the pandemic, I began to work digitally, and in oil; exploring scale and process. My current oeuvre of large-scale oil paintings represents the unfolding of observational figurative capture that was foundational to my watercolor practice, while relying on the gestural body reference shapes of my mark making and intuitive compositions. The paintings are informed by landscape and figurative study, but there is complete obliteration of both figure and horizon in favor of decontextualized emotive impact. This new exploration prompted a need to stretch my materials to their limit, prompting research and development of my own painting mediums. I use damar tears, beeswax, and gum turpentine to make cold paste wax impasto medium; frankincense and spike lavender oil for solvent; and refined linseed oil, stand oil, and cobalt drier for my flow medium. While I am working, the scent is hot; it leads many people to my studio. The paintings retain some of this aroma, but it is bound into the polymerized paint matrix. To capture this aspect of the work, I have made a series of fragrances based on the scent of the materials using cosmetic essential oils extracted from the same natural sources from which my paints are made.
Handpicked to show at The Other Art Fair presented by Saatchi Art in New York, New York, Brooklyn
Artist featured by Saatchi Art in a collection
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