Sides of the Prut Painting

Florina Breazu is a painter with international exposure and one of the best art critics in Republic of Moldova, Romania and beyond. Florina was born in Chișinău, Republic of Moldova. Since 2022, she holds the position of President of the Union of Visual Artists of the Republic of Moldova. His pictorial qualities do not continue, as at first glance one might think, theorizing and fitting into a pattern of thought of creation. On the contrary, freedom and expansion in space, the conquest of the simesis and the gaze through a discourse unleashed by rhetoric invite you to see an artist at the most radiant point of creation. The light that Florina wants to bring is the Light of our universe, a universe that she builds with every touch. The artist seems to ask us what we would do if we had the opportunity to go out somewhere outside our space, traveling through the cosmos. How would we see ourselves – human beings, how would we see the particles around us, how would we see nature? Florina has the imagination, the creativity and the feeling to get out of herself and be able to dig into these canvases, building us a universe that can be both the inner one and the one we see through the invisible of the brushstrokes, through each layer that she sometimes skins to the essence, to enter what the light in the painting actually means. In certain works he seems to recompose the map of a mental landscape, delimiting the qualities of the internalized consciousness, with autonomy and vigor. Through light and texture, the artist exposes a meditation on the fact that, ultimately, the entire organism of painting and of life alike is based on the concepts of development, growth, repetition. The problematic of space, matter, memory is harmonized by the dialogue between background and form, by the chromatic contrasts that allow the subtraction from the support and the reservation of the concept in the previous layer. That is why among the brushstrokes we notice a writing, a textural alchemy that builds the form from the apparent counter-forms, through islands of color concerted in the agglomeration of the paste. The intrinsic lyricism of multi-verse contains and encapsulates pre-structures, thoughts, sensations. There is a great discipline in the approach to color; each work has a dominant color in the foreground and background, with only a few neutral or related brushes used as accents.