Signs 2016201 Painting

The human mind has constantly evolved to understand and create things. It is very important to show the ability to catch something to observe such an attribute, imagine the process as an important factor, and to imagine what experience it was doing, both realistically and consciously. My own case begins with the constantly identifying and describing the process by introducing the organic relationship of each cell to the organisms observed in nature in a continuous stream of time. This process does not want to momentarily empathize and resolve impulsively. Sometimes I understand the impression of the whole screen rather than the reality and accept it as an impulse, but at this moment I perceive the work as an immediate gesture and thousands of essential and metaphysical puzzles of composition are moving slowly applying the mark We expect to be made into a memorized shape. My work seems to be a simple gradient of color, facing the energy of a suspended earth when I see it at a certain distance. But as it approaches, it becomes a coherent and shaped piece that melts itself. As you move your gaze again, the irregular and innumerable points reveal that you are three-dimensional, pointing to the next color and moving continuously to form a layer. Each layer creates a layer of hue, and the softness felt at a distance is reversed by the tactile reality that is close at hand. The portion that could be passed on to a simple visual variation is deepened with considerable complexity, creating a balance between the gradation of the hue and the layer felt on the actual surface.