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Sky Painting

Tserendulam Jargalsaikhan

United States

Painting, Oil on Canvas

Size: 16 W x 12 H x 0.8 D in

Ships in a Box

SOLD
Originally listed for $140

64 Views

3

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Inspired by the architecture of the traditional Mongolian ger or yurt. The orange beams hold up the roof of the structure and skylight. The beams and other parts of the ger are often elaborately decorated with ornate patterns derived from nature, such as clouds.

Year Created:

2019

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

16 W x 12 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

There are many customs and rituals that are participated in because of the precedents others have set. The Mongolian custom of shaking someone’s hand if you step on their foot is an example I often give. This custom can be seen commonly practiced by everyone in Mongolia regardless of whether they are complete strangers or not. Initially, when such rituals were first practiced or created I imagine there must have been a more apparent, explicit reasoning for them [you do A because of B], but as these rituals and customs traverse time the reasons become less apparent; you shake hands when you step on someone’s foot but the why isn’t explained, you just do it because it's common custom and etiquette. The same can be said for many aspects of language. How the forms of different letters, words, phrases, sounds came to be are all questions that drive my work. Then how these different aspects of language are related to symbol/symbolism and can be visualized is what manifests in my paintings. I paint words and translations to display how disparate symbols can mean the same thing, represent the same image. A letter can be painted a million different ways but still be recognizable as something familiar. In the end, words can still be made. But what happens when the symbols presented are not ones in your present visual vocabulary? I paint and try to visualize how things like language can connect people but also create barriers.

Artist Recognition
Featured in the Catalog

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Artist featured in a collection

Artist featured by Saatchi Art in a collection

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