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Still (Triptych) Painting

Tanya Ogilvie-White

Australia

Painting, Wax on Wood

Size: 34.6 W x 16.5 H x 0.4 D in

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Originally listed for $1,960
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180 Views
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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

'Still' is the first piece in my new 'Wild Series', depicting dreamy landscapes and wild grasses. I love witnessing fleeting moments when I'm out in nature. This encaustic painting in inspired by one of those experiences - watching a still moment, when the wind dropped completely, and the grasslands stood motionless, framing a stormy sky. I use the ancient Greek encaustic method in my work, applying up to 50 layers of molten beeswax to landscape and wildlife photographs, which I build up with raw pigments and line carving, and burn in with a live flame. The result is dreamy and ethereal, like something from a fairytale. The wax is hardened and cured, so this triptych is as robust as an oil painting. It can be hung as it is, or framed.

Details & Dimensions

Multi-paneled Painting:Wax on Wood

Original:One-of-a-kind Artwork

Size:34.6 W x 16.5 H x 0.4 D in

Number of Panels:2

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Finalist, Refocus Awards (People's Choice), 2024 Finalist, The Facet Art Prize, 2023 Finalist, The Alice Prize, 2020 I'm an artist and photographer from Byron Bay, in the beautiful sub-tropical region of the Northern Rivers, on the east coast of Australia. The region is known for its beautiful scenery and spectacular wildlife, which I enjoy photographing as a nature photographer. Alongside my career as a scholar and writer, I've been creating art all my life, exhibiting my work at art festivals around the world. In 2017 I decided to launch my own art business, Scorching Skies Art, as an outlet for my encaustic artworks, some of which can be seen here. The technique I'm known for is known as 'photographic encaustic'. It involves burning layers of melted beeswax into enlarged, heatproof photographs, which are bonded to wooden panels and then transformed into wax paintings through the application of oils, inks, pastels and other materials. The resulting artworks take on a life of their own and are impossible to replicate. I'm drawn to the technique because it has such an ethereal quality, and also because the way the wax and pigments mix under the live flame feels like alchemy. Recent accolades for my work include: Finalist in The Alice Prize 2020 for encaustic triptych, 'Alice's Finches' Finalist in the Lethbridge 20000 Small Scale Art Award, 2019 (for 'Swooping Bee-eater', Skyward Series) Finalist in the 2018 Australian Photography of the Year awards (landscape category) Nominations in the 2017 and 2018 Fine Art Photography Awards, London (nature and wildlife categories) Shortlisted nominations in the 2017 and 2018 Wildlife Photographer of the Year Awards, London (earth's environments and black and white categories).

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Sydney, Sydney, Sydney

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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