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Painting, Ink on Paper
Size: 39.4 W x 27.1 H x 0.1 D in
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inspired by Cornish slate cliffs, clay packed creases, broken scar lines, kinetic scratches, mud water, pooling indentations, pounding storms and eruptions, granite cliffs, ancient wheel tracks, sharp pin lines, signs of movement, dry parched land cracked clay archives, dirt roads, short lanes, paths of harshness and eruptions, signs of line, tracks… insects, hooves, droppings, wasteland, baron ground, dry clay moulds, mud once dust, lumps of mud covered roots, crumbling ant hills, slivers of scilacone, parched branches, dilapidation, thunder... sounds in pieces, random remains indecernable, feather amongst small clay lumps, nature 's marks,rain pounding the ground, wind blowing moving objects, bullet, cartidges, what looks like spilt dimes
Ink on Paper
One-of-a-kind Artwork
39.4 W x 27.1 H x 0.1 D in
3
Not Framed
No
Ships in a Crate
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
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United Kingdom
LIVES IN LONDON UK ABSTRACT MINIMALIST PAINTER SET and COSTUME designer n While attending art school in late 60’s and 70’s, a radical shift in contemporary art was taking place through the development of conceptual art. Cook explored and created video art, performance art, learnt skills in lithography, photography, film making and studied the history of independent film making. Traditional materials and skills were replaced by systems, graph drawings, cinematic- montage, notation, movement, sound, and spacial performance, installation and video performance. In 1974 Cook moved to the U.K. and trained in theatre design, drawn to new writing and the disposable nature of ideas over time and the final 3D results rarely given refuge after its first public viewing. Cook worked extensively as a set and costume designer in theatre, ballet, opera and film, for nearly four decades, as well as working ten years in collaboration with musicologist Nick Till, experimenting in development of music/theatre. Throughout that time Cook has always maintained an independent art practise and studio in the U.K. with the emphasis on development of ideas and abstraction. Since the mid seventy's Cook's art work continued to develop using basic materials on paper, featuring automatic drawing and painting with no use of film or video technology or documentary tools. In the late eighties she began to paint monochromatic, minimalist work after a strenuous and persistent return to drawing, which continued into the late 1990's. Landscape of the body as well as nature of a disproportionate scale began to fuse and has continued to developed. Since 2010 Cook made a decision to gradually transition from stage design and return to painting full time without the cushion of script, scenario,libretto,dialogue, and has been painting full time since 2016.
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