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Storm No2 Painting

Finn Campbell-Notman

Spain

Painting, Oil on Canvas

Size: 82.7 W x 27.6 H x 0.1 D in

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412 Views
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About The Artwork

This new series has been in development for a few years and takes as it’s starting point the skies and cloudscapes encountered on hikes in the mountains of Andalusia, Spain. The mix of terrain: desert, high plateaux, mountains and their location in the very south of Spain means that the cloud types and colours can vary enormously, especially when seen from an elevated point of view. That uninterrupted view point, or, as sometimes occurs, the being ‘in’ the shifting cloud can reveals cloud-scapes over distance.Knowing the landscape and climactic conditions, one can anticipate what might develop and head out to observe what transpires. This series is rooted then in the routine, quotidian and ephemeral, the ordinary yet ever extraordinary sky but it is equally an attempt at a liberation from the depiction things and objects, about finding a balance between the pictorial and the abstract and about painting in and of itself: to convey that intimate distance one encounters out on the mountain side. As with much of my work there is a sense of the uncanny which comes through unconsciously i.e I don’t try to make my work have that quality, rather, that seems to be the nature of my work; what comes out. And I suppose these works are a kind of sequence of tone poems.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:82.7 W x 27.6 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Finn Campbell-Notman M.A. R.C.A British, London 1970, Finn grew up in rural England, principally Norfolk and Somerset. Over the years he has lived and worked in Cornwall, London, UK, San Francisco, USA, Brussels, Belgium and Andalusia and Barcelona, Spain. • An artist is essentially a lens through which the universe is refracted. Each lens however is unique. The ongoing aim is to make my particular lens as clear, focused, personal and distinctive as it can be. For me this means being continuously vigilant to life’s mutability, to have an open and receptive fragility in regard to this flux and from a position of attentive awareness and inquisitiveness attempt to communicate my experience of it through the work, thereby to arrive at some small amount of reciprocal wisdom about both myself and the world. The artwork as such is the result of that which has been projected by the universe through me and thus the imagery is an attempt to create both photographs - in the sense that my work focuses this ‘light’, and to create images in the sense that they are an expression of the distillation that happens within, sometimes over the course of extended periods of time. It is to be an instrument to record and express the tension and play between intra-mission and extra-mission, the meeting of the brush or pencil being the focal point. The artworks are thus microcosms, simultaneously process and practice. When I achieve this there is a stillness and poise, a subtle sense of the uncanny or perhaps, in Han’s Belting’s terms; the ‘aura’; a kind of calm vivacity to my work. My principal wish is always to improve my ability to communicate more eloquently through my work and for the work to speak with honesty and clarity. I think we respond to an artwork in a variety of ways but we especially respond to those that 'feel true' irrespective of whether they are representational or not. That response to 'trueness' or perhaps ’rightness’ I think derives from the tangibility felt by the viewer of the experience shown i.e what has been distilled within the work is transmitted and apparent to the receiver. Art is to me thus also an ethical/moral activity; the personal, socio-cultural, political and natural are inseparable and I try to reconcile all this within and through my work.

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