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Sunny Orvieto Alley, Italy Painting

Tatyana Fogarty

United States

Painting, Oil on Canvas

Size: 9 W x 12 H x 0.2 D in

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Originally listed for $480

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ABOUT THE ARTWORK

Orvieto is one of the most striking and enjoyable hill towns in central Italy. The city rises dramatically above the almost-vertical faces of tuff cliffs. I love walking its evocative lanes, that seem to keep the mystery of the Middle Ages alive. This painting was inspired by an intricate patchwork of shadow patterns and sun-bathed cobblestones of a narrow alley, with abundance of textures of stone walls, drenched in sunshine and emitting warm glow. Materials: Oil paint on acrylic primed fine to medium tooth linen with an irregular weave, mounted on the archival museum quality Gatorfoam panel. Painting surface is protected with a coat of Gamvar varnish. The painting is unframed, and will require a frame to hang. It will easily fit into a standard (US) 12"x9" frame.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

9 W x 12 H x 0.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Signature member of American Impressionist Society (AIS),Signature Member of Laguna Plein Air Painters Association (LPAPA); and an Artist Member of California Art Club (CAC). All my childhood and youth I lived and breathed music. The transition from playing piano to transferring this inner music on canvas with oil paint happened later in life. I see my art as visual music. I try to bring it to life with harmonious colors, which emanate joy and peace. I infuse each of my brush strokes with its own kind of melody. My hope is that the viewers will hear the sounds and rhythms of that music as they look at my work, and it will generate the same emotions and connections that I had when painting that piece. I am inspired by the way light shapes the landscape, and I strive to capture it on canvas. I often paint en plein air (on location), which allows me to use all my senses to interpret a scene in front of me with a sense of immediacy and honesty. I choose to paint in oils, because I love their robust quality of bright, luminous colors, which are easily bendable and capable of retaining texture and showing brushstrokes. My favorite starting point for the landscape painting is the golden light of late afternoon, known as the “magic hour”, which creates the most intriguing and fascinating effects by merging captivating shadow patterns and warm, luminous color of the setting sun.

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