THE GRAND CANAL, VENICE c.1920 Painting

I have long been fascinated with painting water and nudes in water. I find the reflective properties, the movement and the distorting qualities of water provide me with a wealth of challenges. I find that although my aim is always to produce a high degree of realism in my paintings I am constantly using sequences of abstract shapes to achieve an effect. "Peter's work has been seen around the world. In his paintings reflections of both classical and modern interpretations can be found. With superb and interesting techniques he infuses a harmony between natural realism and the painted surface creating subtle yet dramatic imagery. Influences can be identified from many periods of art history. In particular the realism of the late nineteenth century and the photo-realism of the twentieth century."