VIEW IN MY ROOM
Painting, Oil on Canvas
Size: 63 W x 78.7 H x 0.8 D in
Ships in a Tube
This piece is entitled "The Forest at 4am". This painting was inspired by the first Canto of the long narrative poem the "Divine Comedy" by Dante Alighier. The painting is made with oil on a stretched canvas. Big format scale.
Painting:Oil on Canvas
Size:63 W x 78.7 H x 0.8 D in
Ready to Hang:Yes
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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I was born in Puerto Rico and I currently live in Germany between the cities of Berlin and Hamburg. I studied Art at the University of Puerto Rico and the Complutense University of Madrid, Spain. My work is often intertwined with feelings of ambivalence and metaphorical confrontations. I try to challenge our visual perceptions and our daily routine with a playful irony based on symbols and images, and how other poetic forms of visualization can be reached through them. My pieces are a kind of poetic transducer of modern collective isolation, existential questioning and the displacement of the individual in spaces and situations where uncertainty is an intrinsic part of the work itself. Themes such as the ambiguity of life, poetry, dreams, time, philosophy, literature and man's struggle to survive in his environment are very essential elements of my work. In my case, a painting can take many forms and meanings, while I am in the process of painting, the work slowly metamorphoses and evolves, until it reaches the point of being "finished". In most of my pieces, the result of each work is completely different from what I had in mind at the beginning and that is what I like about painting and drawing, spontaneity, fluidity, not forcing anything but being authentic. In the end, I firmly believe that the work should speak for itself from the moment it leaves the studio. Like a scare in the dark that seizes the viewer and immobilizes him, the work has to create a profound sensation. That is what I try in some way, consciously or unconsciously, to achieve with each of my pieces, to make the viewer think, to put them in a situation of analysis and reaction.
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