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"The Jester “El Primo” (after Diego Velázquez)" Painting

Daniel Dacio, Spain

Painting, Oil on Canvas

28.7 W x 36.2 H in

Framed

$9,990

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The frame is included. Total size with frame: 117 × 98 cm. This painting is a study after Diego Velázquez’s portrait traditionally known as The Jester “El Primo”, one of the striking court portraits from the Spanish Golden Age. The figure, long thought to represent Don Sebastián de Morra, is now ge...

Year Created:

2016

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

28.7 W x 36.2 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Gold

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Daniel Dacio is a Spanish painter based in Madrid. His work explores myth, the human body and symbolic narrative through contemporary figurative painting. He studied Fine Arts at the Complutense University of Madrid and was later admitted as a copyist at the Prado Museum, where he studied the techniques of the Old Masters directly from the original paintings. Alongside painting, Dacio has explored a wide range of techniques, including woodcut, engraving, egg tempera, mural painting and polymer-modified stuccoes with marble dust. He has also worked as an illustrator for specialized publications, a web designer and a storyboard artist for film and television. His current body of work, The Error of Prometheus, uses classical mythology as a lens through which to reflect on knowledge, ambition, uncertainty and the limits of human understanding.

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