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United States
Painting, Watercolor on Paper
Size: 42 W x 50 H x 0.5 D in
Ships in a Tube
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This painting reflects the distance found in the poem of the same name by Emily Dickinson. The composition emerges from many layers of thin washes of watercolor on paper. Around 2006, poetry began to have an influence on the ‘L’ paintings. I turned to poets whose mysterious images stayed with me as they created a felt expression of an inner reality. I read Rainer Maria Rilke, Wallace Stevens, Emily Dickenson, George Trakl. Geoffrey Hill, Friedrich Holderlin, and Matsuo Basho. Like a form in nature, the paintings developed according to their own internal dynamics as I allowed my mind to be captivated by something beyond itself. I put red on top of blue, blue on top of red, sometimes yellow over everything, letting each layer transform the ones beneath. The process became meditative for me. The ambiguities of color and depth sustained my attention in a private experience akin to the introspective moment of lyric poetry. I now called the ‘L’ paintings the Lyric Painting Series and because of this work, I was a finalist and semi-finalist for the Trawick and Sondheim Prize.
Painting:Watercolor on Paper
Original:One-of-a-kind Artwork
Size:42 W x 50 H x 0.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
"Phenomenology of Form” In my abstract painting and sculpture, I strive to move away from a human-centered world, into one populated entirely by objects composed of form and space. I refer to my paintings and sculptures as places. There, the forms are free of the use value we assign to objects in the world around us. Rather than fulfilling human needs, or even catering to the symbolic or allegorical imagination, these forms exist independently of us, and draw the viewer into their space. They come alive on their own. To meaningfully fill space, they must become space, composed of dimension and acquiring their own fullness of being. This way, the forms exist not as potential objects, but as something that can hold and reveal the essence of being. BIOGRAPHY 2017 Diane Szczepaniak has been recognized throughout the East Coast for her abstract paintings and sculptures. Since the age of twenty-three, Szczepaniak has been driven by the study of the dynamics of form. Initially focused on drawing and sculpting the figure, she worked through these media to an understanding of the physicality of objects in space, which has remained with her throughout her career and brought her directly to abstraction. Using this understanding of space as an inspiration, she creates paintings by layering numerous washes of paint on paper and canvas, in a process that reflects her early sculptural training. Inversely, her glass sculptures are a physical representation of her painting process where each sheet of hand-blown colored glass represents a layer of paint. In both cases, each additional layer of color changes the whole. GALLERY Youngblood's, Sag Harbor, NY AFFILIATIONS Washington Sculptor Group, Washington, DC (member of the board) Washington Project for the Arts, Washington, DC InLiquid.org, Philadelphia, PA SELECTED PERMANENT COLLECTIONS American for the Arts, Washington, DC Cincinnati Art Museum, Cincinnati, OH Embassy of the Republic of Poland, Washington, DC Maison Ailleurs, Chartres, France St. Mary’s College, St. Mary’s, MD RECENT AWARDS Sondheim Semi-Finalist (2011 and 2014) Trawick Prize Finalist (2012) Maryland individual Artist Awards: Sculpture (2009) SELECTED REVIEWS Paris Review, Clairvoyant Observation (March 9, 2016) AEQAI an e-journal AEQAI.COM (November 24, 2013) Baltimore CityBeat, Baltimore, MD (May 28, 2008) Art Papers, Reviews, pg 46 (July/August 2005)
Artist featured by Saatchi Art in a collection
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