view additional image 1
View in a Room ArtworkView in a Room Background
The Prospector is based on two collaged images. One of the abandoned Kennecott Coppermine in Alaska, and the other, a low-resolution image of bulrushes. These images were hanging around in my archive for years. Through various stages of viewing and digital manipulation over a long period of time, the image was transformed, and eventually made its transition into a large scale oil painting. Designed for a solo show at 60 Threadneedle Street, London. The immersive scale of the painting with strong vectors invite the viewer into the image. More a memory than a reality, the work attempts to depict ‘the mental impression that remains when the image itself has passed’. Breaking away from, and even discarding the source images allowed 'The Prospector' to evolve independently. This considered piece utilises a range of mark making, and exaggerated colour, which give it a diverse painterly language in order to engage the viewer on multiple levels. **This Painting is Artist quality Oils and 12oz cotton duck canvas, stretched with traditional glue size over a hand made pine stretcher bar
The Prospector is based on two collaged images. One of the abandoned Kennecott Coppermine in Alaska, and the other, a low-resolution image of bulrushes. These images were hanging around in my archive for years. Through various stages of viewing and digital manipulation over a long period of time, the image was transformed, and eventually made its transition into a large scale oil painting. Designed for a solo show at 60 Threadneedle Street, London. The immersive scale of the painting with strong vectors invite the viewer into the image. More a memory than a reality, the work attempts to depict ‘the mental impression that remains when the image itself has passed’. Breaking away from, and even discarding the source images allowed 'The Prospector' to evolve independently. This considered piece utilises a range of mark making, and exaggerated colour, which give it a diverse painterly language in order to engage the viewer on multiple levels. **This Painting is Artist quality Oils and 12oz cotton duck canvas, stretched with traditional glue size over a hand made pine stretcher bar
The Prospector is based on two collaged images. One of the abandoned Kennecott Coppermine in Alaska, and the other, a low-resolution image of bulrushes. These images were hanging around in my archive for years. Through various stages of viewing and digital manipulation over a long period of time, the image was transformed, and eventually made its transition into a large scale oil painting. Designed for a solo show at 60 Threadneedle Street, London. The immersive scale of the painting with strong vectors invite the viewer into the image. More a memory than a reality, the work attempts to depict ‘the mental impression that remains when the image itself has passed’. Breaking away from, and even discarding the source images allowed 'The Prospector' to evolve independently. This considered piece utilises a range of mark making, and exaggerated colour, which give it a diverse painterly language in order to engage the viewer on multiple levels. **This Painting is Artist quality Oils and 12oz cotton duck canvas, stretched with traditional glue size over a hand made pine stretcher bar
The Prospector is based on two collaged images. One of the abandoned Kennecott Coppermine in Alaska, and the other, a low-resolution image of bulrushes. These images were hanging around in my archive for years. Through various stages of viewing and digital manipulation over a long period of time, the image was transformed, and eventually made its transition into a large scale oil painting. Designed for a solo show at 60 Threadneedle Street, London. The immersive scale of the painting with strong vectors invite the viewer into the image. More a memory than a reality, the work attempts to depict ‘the mental impression that remains when the image itself has passed’. Breaking away from, and even discarding the source images allowed 'The Prospector' to evolve independently. This considered piece utilises a range of mark making, and exaggerated colour, which give it a diverse painterly language in order to engage the viewer on multiple levels. **This Painting is Artist quality Oils and 12oz cotton duck canvas, stretched with traditional glue size over a hand made pine stretcher bar
1505 Views
57

VIEW IN MY ROOM

Original

Prints

The Prospector Painting

Andy Allen

Czech Republic

Painting, Oil on Canvas

Size: 70.9 W x 59.1 H x 2 D in

Ships in a Crate

info-circle
$4,900USD
bubblesMake an Offer

check Shipping included

check 14-day satisfaction guarantee

info-circle
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
1505 Views
57

Artist Recognition

link - Featured in One to Watch

Featured in One to Watch

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

The Prospector is based on two collaged images. One of the abandoned Kennecott Coppermine in Alaska, and the other, a low-resolution image of bulrushes. These images were hanging around in my archive for years. Through various stages of viewing and digital manipulation over a long period of time, the image was transformed, and eventually made its transition into a large scale oil painting. Designed for a solo show at 60 Threadneedle Street, London. The immersive scale of the painting with strong vectors invite the viewer into the image. More a memory than a reality, the work attempts to depict ‘the mental impression that remains when the image itself has passed’. Breaking away from, and even discarding the source images allowed 'The Prospector' to evolve independently. This considered piece utilises a range of mark making, and exaggerated colour, which give it a diverse painterly language in order to engage the viewer on multiple levels. **This Painting is Artist quality Oils and 12oz cotton duck canvas, stretched with traditional glue size over a hand made pine stretcher bar

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:70.9 W x 59.1 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Andy Allen born 1989, Rhuddlan Uk. Lives and works in Prague. His alchemical approach to image making incorporates gestalt laws, experimental processes and digital manipulation. In an attempt to respond to the language and tradition of oil painting. Since graduating Allen has exhibited extensively throughout the UK and internationally including shows in London, New York and Suzhou China. His paintings are held in prestigious public and private collections throughout the world, including: The Duke and Duchess of Devonshire’s Collection at Chatsworth House.

Artist Recognition

Featured in One to Watch

Featured in Saatchi Art's curated series, One To Watch

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support

Related Searches

redcabinandy allenarchitecturethe prospectorkennecottecopper minelandscapeabandoned