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Original Abstract Expressionism Abstract Painting by Sean Walker
Original Abstract Expressionism Abstract Painting by Sean Walker
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Original Abstract Expressionism Abstract Painting by Sean Walker
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Original Abstract Expressionism Abstract Painting by Sean Walker
Original Abstract Expressionism Abstract Painting by Sean Walker

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The Skirmish Painting

Sean Walker, United States

Painting, Oil on Canvas

40 W x 30 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is an abstract piece inspired by Maya murals.

Year Created:

2019

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

40 W x 30 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

A Litchfield, New Hampshire based artist, Sean produces landscapes and figurative assemblages, believing the camera frees an artist from the need for absolute representation in painting. "My recent work explores my experiences in the commuter lifestyle seen as fragments of the familiar streaming by my windshield. In my daily travels throughout New England, I witness the slow decay of the American experiment. I watch as the great monuments of American opulence from the mid-20th century, the highways and bridges that connected our country in a massive burst of investment and foresight in post-war America as they slowly age and crumble due to neglect from the corrupt conservative majority whose only concern is to enable the wealthiest shift their tax burden to the middle class. ​ I find myself attracted to the beauty of this decay: how a concrete bridge abutment crumbles and rounds with the years of weather fascinates me. Or the built-up layers of paint slowly cracking and peeling from the walls of a long-abandoned gas station create its own wonderful yet temporary composition with its own decay as the subject in itself, as color sense and tastes of yesteryear re-emerge as its concealing shroud ages, shrinks, and yields to the elements."

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