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Painting, Oil on Wood
Size: 7.9 W x 7.9 H x 0.4 D in
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37 Views
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Artist featured in a collection
***Att.: this painting has rounded courners.*** With the “The Way We Were” project Gerda Van Damme returns to the past, where the eye of the camera has preserved the instant moment. “The way we were” is a huge archiving project about lost times. In her archives she is always looking for the stories, the “drama” and the human relationships and that are hidden. Keeping the secrets intact, her paintings suggest and leave open the unknown. They invite for a new reading of what the photographer has captured, intentionally or by accident. This new reading is made concrete by the re-framing of the images and the "hors champs" which is generated through it. By using the miniature format and often black & white paint or fainted colours, the link to the photographic archive is reinforced.
2022
Oil on Wood
One-of-a-kind Artwork
7.9 W x 7.9 H x 0.4 D in
Not Framed
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Belgium.
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Belgium
Gerda Van Damme, a Belgian painter, was a finalist twice in the ARTE LAGUNA PRIZE and in many other international and national art contests. She is president of the art collective "Grosses Lacunes" and works together with Guido Janssens under the name "The Muybridge Collective". She is represented in Spain by MECA, Almeria. In Belgium her work has been shown in various galeries. Her work has been in shows in Venice (Arsenale) Italy, Brooklyn NY USA, Berlin Germany, Almeria Spain, Dordrecht Netherlands, and many cities in Belgium. She sold works to clients in Belgium, France, USA and Germany. Besides the paintings presented on Saatchi Art, she also creates installations and video art. You can discover those works on her website. The work of Gerda Van Damme is a deep exploration of the human condition, reflecting the existential restlessness that permeates our lives. Her work delves into themes about the ephemeral nature of life, disillusionment with reality in the face of childhood aspirations and the inescapable presence of death. Through her paintings, video art and installations, she confronts the banality of existence and the negation of mortality, all while questioning the possibility of finding true happiness and comfort amid the struggles inherent in life. Her meticulous approach to archiving life’s moments, whether through realistic paintings or digital categorization, serves as a testament to the passage of time and the attempt to preserve memories. Her art raises poignant questions about the legacy we leave behind and the lasting impact of our existence. In her visual representations, she achieves an impressive level of realism, sometimes bordering on hyperrealism, which imparts an objective and almost severe representation of her subjects. However, it is through her careful selection of images, frames and perspectives that she evokes deep emotional responses. Her personal files and newly captured photographs become the canvas for her narratives, sometimes culminating in small stories painted like comic strips.
Artist featured by Saatchi Art in a collection
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