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""The incident"" Painting

Godfrey Blow

Painting, Oil on Other

Size: 60 W x 84 H x 1.5 D in

This artwork is not for sale.

1000 Views

13

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

nudes

Year Created:

2011

Subject:
Mediums:

Painting, Oil on Other

Rarity:

One-of-a-kind Artwork

Size:

60 W x 84 H x 1.5 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Need more information?

Need more information?

Godfrey Blow was born in North Hykeham, Lincolnshire, England in 1948. He gained a BA Hons Degree in Fine Art from Sheffield Hallam University in 1971. He attended Manchester Metro University, where he qualified as a teacher in 1973. Blow emigrated to Australia in 1982. Numerous solo and mixed exhibitions of his work have been held in Western Australia since 1982. He has also participated in a number of mixed shows in Victoria, New South Wales and the United Kingdom. His work is represented in private and public collections in Australia, including The Art Gallery of Western Australia, Artbank Australia, University of Western Australia and the collections of the cities of Bunbury, Albany and Fremantle. In addition he has won several prestigious art awards in Western Australia.

Since 2002 he has exhibited with the Stuckist group most notably in their landmark exhibition, The Stuckist Punk Victorian at the Walker Art Gallery, Liverpool, during the 2004 Liverpool Biennial. He is also one of the featured artists exhibiting in the Triumph of Stuckism, which comprises part of Liverpool's 2006 Biennial.

Much of my work is concerned with exploring symbols derived from natural forms that give an insight into the nature of existence. I believe that the truth is just as likely to be found in mythology and as relevant to our appreciation of the world as scientific facts. Although elements in the work are highly personal, the images used will strike a universal chord. The development of a more spiritual approach to my painting is becoming increasingly significant. Although spiritual in nature the work is not religious and seeks to understand the world in a meaningful way.

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