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'The plastic bags'' (2020) 80 x 100 cm,oil on linen canvas Painting

Jagoda Malinowska

Poland

Painting, Oil on Canvas

Size: 39.4 W x 27.6 H x 1.2 D in

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Still life made of plastics is a modernized vanitas motif. It shows transience, but perversely, because through duration. Garbage is an inseparable element of prosperity, but it is willingly hidden from view and transported as far away as possible from representative metropolises. We are now able to...

Year Created:

2020

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 27.6 H x 1.2 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Poland.

Customs:

Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Jagoda Malinowska is a graduate of the Academy of Fine Arts in Łódź. In her artistic activities, she refers to traditional artistic values, in which the workshop is as important as the concept. It refers to realistic representations, modeling on the 19th and 20th century masters. When creating images, photography is often used, but it does not reproduce the digital record, it is used as a kind of a modern notebook, which allows collecting a large amount of visual information in a short time. In her work, she undertakes pro-ecological themes and sociological themes that are a visual story about the status of man in the modern world. The use of figurative art emphasizes the desire to explore the experiences of an individual, focusing on the individual sensory experience of reality. In addition to traditional workshop techniques, the artist also deals with digital graphics, which she also uses in seemingly academic painting representations. Currently, she is working on the cycle in a completely different convention, departing from realism towards surreal images showing an ultra-modern world devoid of logical rules, filled with subconscious fears for further existence.

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