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Towering Cypress Trees Painting

Tatyana Fogarty

United States

Painting, Oil on Canvas

Size: 14 W x 11 H x 0.2 D in

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$920

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76 Views
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About The Artwork

This oil painting created en plein air depicts a stunning view of Monastery Beach in Carmel-by-the-Sea, seen through a grove of towering cypress trees. The trees loom large in the foreground, casting a dappled shadow on the green grassy patch that covers the ground beneath them. Beyond the trees, the beach itself comes into view, with its wide expanse of golden sand stretching out towards the glittering blue ocean. The waves are visible in the distance, gently crashing against the shore. This oil painting is a tribute to the natural beauty of Monastery Beach, capturing the majesty of the towering cypress trees and the tranquility of the shoreline. Materials used in creating this artwork: professional quality oil paint on Centurion Oil-Primed Linen panel. The painting is unframed and will need a frame to display on the wall

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:14 W x 11 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Signature member of American Impressionist Society (AIS),Signature Member of Laguna Plein Air Painters Association (LPAPA); an Artist Member of California Art Club (CAC), and Oil Painters of America (OPA). All my childhood and youth I lived and breathed music. The transition from playing piano to transferring this inner music on canvas with oil paint happened later in life. I see my art as visual music. I try to bring it to life with harmonious colors, which emanate joy and peace. I infuse each of my brush strokes with its own kind of melody. My hope is that the viewers will hear the sounds and rhythms of that music as they look at my work, and it will generate the same emotions and connections that I had when painting that piece. I am inspired by the way light shapes the landscape, and I strive to capture it on canvas. I often paint en plein air (on location), which allows me to use all my senses to interpret a scene in front of me with a sense of immediacy and honesty. I choose to paint in oils, because I love their robust quality of bright, luminous colors, which are easily bendable and capable of retaining texture and showing brushstrokes. My favorite starting point for the landscape painting is the golden light of late afternoon, known as the “magic hour”, which creates the most intriguing and fascinating effects by merging captivating shadow patterns and warm, luminous color of the setting sun.

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