428 Views
2
View In My Room
Helena Clews
Painting, Oil on Canvas
Size: 29.9 W x 39.8 H x 1.6 D in
Ships in a Crate
428 Views
2
My practice explores the possibilities of painting in the liminal space between abstraction and representation. I am constantly intrigued by how visual information - such as colour and gestural mark making - can allude to something that is difficult to define or identify clearly as a particular thing in the world, whilst at the same time being recognisable aesthetically as an ‘abstract’ painting.
Oil on Canvas
One-of-a-kind Artwork
29.9 W x 39.8 H x 1.6 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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I have recently graduated from Central Saint Martins, London, where was awarded a Merit in my Masters of Fine Art. I am now based in the Chocolate Factory, Wood Green, and regularly exhibit in London and Devon. My practice explores the possibilities of painting in the liminal space between abstraction and representation. I am constantly intrigued by how visual information - such as colour and gestural mark making - can allude to something that is difficult to define or identify clearly as a particular thing in the world, whilst at the same time being recognisable aesthetically as an "˜abstract' painting. I have been working with natural objects - such as shells - alongside collages made from found images. I produce composition studies from these familiar objects or collages which then become the starting point for my paintings. My paintings emerge from the development of material processes: I pay close attention to the ever-changing possibilities that the fluid medium of paint offers in the moment of being worked and manipulated. But the paintings are also affected by my intuitive responses to the specific objects and collages I use as their starting point.
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