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" Transfiguration of Jesus " Painting

Mayis Mkhitaryan

Armenia

Painting, Oil on Canvas

Size: 55.1 W x 70.9 H x 1 D in

This artwork is not for sale.

1488 Views

3

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

In 2013 Grigor Movsisyan translate the book of Sadhu Sundar Singh from English to Armenian , the book was decorated by Mayis`s work` ” Transfiguration of Jesus ” .

Year Created:

2013

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

55.1 W x 70.9 H x 1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Need more information?

Need more information?

A powerful theatrical sense and an innate playfulness fill this world of wandering circuses, colorful bazaars, and artists’ lives . Mayis Mkhitaryan creates elegant court scenes with a Surrealist twist, where, for example, beautifully gowned ladies may carry on their coiffures ribboned hats containing exotic birds and fish. In 2000 Mayis become a member of the Armenian Artists Union . In 2003 Mayis become a member of the Association of creative individuals at UNESCO . One of Mayis’s artworks especially ” Dreams fairy ” is in Nicola Sarkozy’s`s collection . When Nicola Sarkozy visited to Armenia in 2011 , He get it present from All Armenian Catolicos Karekin II . Sheikh Sultan III bin Mohammed al-Qasimi who paid 8 million $ for repairing Armenian Church Haxarcin , get present one of Mayis’s artworks ” To Eternity “ from All Armenian Catolicos Karekin II . Mayis Mkhitaryan is a painter who brings to the ancient Armenian culture a new way of thinking. His paintings are a multifaceted unity of his birthplace, Tbilisi, different ethnicities, everyday life that resembles wandering circuses, Armenian theatre and artisans, colorful baths and bazaars — a culture rich with sun-burnt mountains, bent but still standing temples, priceless rock images, Bronze Age carvings and parchments. In Mkhitaryan’s canvases, all this lies behind a theatrical (and, on many occasions, grotesque) surface. Two seemingly contradictory cultures are in harmony in these paintings. The result is a unique world where man is the main actor, the principal judge, and the prime research target.

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