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Visually I’m captivated by things most people walk past i.e. shadows, pavement cracks, small, overlooked, spontaneous and ephemeral beauty created by chance. I explore the concept of 'wabi-sabi' through my process, serendipity, transience, and imperfection are central to my ethos. A willingness to embrace the chosen media and allow to be true to itself. 
I primarily use oil and cold wax with various other media as I see fit. Cold wax allows me to create both surface texture and transparent layers that I can build and remove depending on what the painting needs.
Visually I’m captivated by things most people walk past i.e. shadows, pavement cracks, small, overlooked, spontaneous and ephemeral beauty created by chance. I explore the concept of 'wabi-sabi' through my process, serendipity, transience, and imperfection are central to my ethos. A willingness to embrace the chosen media and allow to be true to itself. 
I primarily use oil and cold wax with various other media as I see fit. Cold wax allows me to create both surface texture and transparent layers that I can build and remove depending on what the painting needs.
Visually I’m captivated by things most people walk past i.e. shadows, pavement cracks, small, overlooked, spontaneous and ephemeral beauty created by chance. I explore the concept of 'wabi-sabi' through my process, serendipity, transience, and imperfection are central to my ethos. A willingness to embrace the chosen media and allow to be true to itself. 
I primarily use oil and cold wax with various other media as I see fit. Cold wax allows me to create both surface texture and transparent layers that I can build and remove depending on what the painting needs.
Visually I’m captivated by things most people walk past i.e. shadows, pavement cracks, small, overlooked, spontaneous and ephemeral beauty created by chance. I explore the concept of 'wabi-sabi' through my process, serendipity, transience, and imperfection are central to my ethos. A willingness to embrace the chosen media and allow to be true to itself. 
I primarily use oil and cold wax with various other media as I see fit. Cold wax allows me to create both surface texture and transparent layers that I can build and remove depending on what the painting needs.

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View In My Room

Untitled 0002 Painting

Ade Stacey

United Kingdom

Painting, Oil on Canvas

Size: 13 W x 18 H x 0.9 D in

Ships in a Box

SOLD
Originally listed for $650

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ABOUT THE ARTWORK

Visually I’m captivated by things most people walk past i.e. shadows, pavement cracks, small, overlooked, spontaneous and ephemeral beauty created by chance. I explore the concept of 'wabi-sabi' through my process, serendipity, transience, and imperfection are central to my ethos. A willingness to embrace the chosen media and allow to be true to itself. I primarily use oil and cold wax with various other media as I see fit. Cold wax allows me to create both surface texture and transparent layers that I can build and remove depending on what the painting needs.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

13 W x 18 H x 0.9 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

MY JOURNEY On leaving school I worked for the family business, learning a trade as a bricklayer in rural Somerset. Whilst it wasn’t the most stimulating of work it did reflect my interest in craftsmanship and making things with my hands. In 1994 aged 21 my adventure in the world of art started in earnest as I made the decision to return to collage and pursue a passion for drawing and painting. ​ A couple of years later I found myself living in Brighton embarking on my honours degree in fine art painting. Graduating in 1999 without much more than the desire to carry on making images I worked towards a solo show of paintings. By this point in my life I had received several hours of tattooing. The shop I was getting tattooed at were looking for a part time receptionist and as an artist I jumped at the chance to be around other creative people. Not long after I was able to try tattooing and had commenced on a successful career. In that time I’ve had two books published of my sketches alongside contributing to several group books, organised two charity auctions, one of which raised over £12,000 for Cancer Research UK, and had multiple magazine features. It’s fair to say tattooing has been very kind to me. ​ In the June of 2017 and my son had begun to show a keen interest in art. One day he asked if we could do a still life. As I sat down to draw alongside him my mind wondered. I started to daydream about the artists that had influenced me in my early days. Rothko, Turner and Richter to name a few. Over the next month the compulsions to paint became hard to suppress and I began working on small oil pastels which I could easily fit around other commitments. After making somewhere around 60 of them I decided it was time to launch myself in to working on canvas. Painting is now an important ritual for me and I find the time to paint or draw for my own research and pleasure every day. ​ I’m eternally grateful to have worked in creative fields for most of my adult life and I’m very much looking forward to experiencing the remaining journey.

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