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Painting, Oil on Canvas
Size: 23.6 W x 28.7 H x 0.8 D in
Ships in a Box
19 Views
7
Artist featured in a collection
Untitled [181213] Original oil painting on stretched canvas. My artistic practice is developed around several notions and questions : the dialectic of the figure and the background, the work in reserve, the silhouette and the backlight, the organic, the concave/convex, full/empty ambivalences. My first ambition is to develop strange, singular, ambiguous images, having a strong graphic and chromatic presence, a real evocative power, but whose pictorial technique of ascent to the form would double this strangeness. Indeed, my paintings proceed from a reversal of the traditional construction procedure, and a questioning of the classic relationship between form and background. It is a matter of creating a contradiction between the relief of the lower layer, which suggests a certain image, and the solid outline of the upper layer, which contradicts the expected silhouette, pierces the evoked volume, destabilizes the figuration.
Oil on Canvas
One-of-a-kind Artwork
23.6 W x 28.7 H x 0.8 D in
Not Framed
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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Laurent Marty is a french painter, living and working in Marseille. " My artistic practice is developed around several notions and questions : the dialectic of the figure and the background, the work in reserve, the silhouette and the backlight, the organic, the concave/convex, full/empty ambivalences. My first ambition is to develop strange, singular, ambiguous images, having a strong graphic and chromatic presence, a real evocative power, but whose pictorial technique of ascent to the form would double this strangeness. Indeed, my paintings proceed from a reversal of the traditional construction procedure, and a questioning of the classic relationship between form and background. It is a matter of creating a contradiction between the relief of the lower layer, which suggests a certain image, and the solid outline of the upper layer, which contradicts the expected silhouette, pierces the evoked volume, destabilizes the figuration. It's a very drawn painting. I have a requirement for perfection of the line, even on a close scan of my large formats. I am sometimes frightened by the exasperating precision I impose on myself in tracing the contours with the brush. But I fear that the chromatic excess, the formal extravagances, I can only dare to do with this restraint of the hand. To tell the truth, I would like the circumspection of my implementation to exacerbate the sensuality of the medium. "
Artist featured by Saatchi Art in a collection
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