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Untitled Painting

A G Ehsan

Turkey

Painting, Oil on Canvas

Size: 39.4 W x 39.4 H x 1.2 D in

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ABOUT THE ARTWORK

This painting is part of 3 paintings that I created in winter 2011 as practice-based research in my masters, The goal of the research was to study oil painting materials scientifically to create pieces that can last centuries without any damage in color quality etc. The highest quality of linen, all-natural artist-grade paints is used with a deep understanding of their chemical properties and I keep them as a blue-print of my upcoming projects. They are unvarnished and about 10 cm of extra canvas from each side is provided to re-stretch them later. They will last for centuries...

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 1.2 D in

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A.G. Ehsan (Born Ehsan Ghanbarzad Khajeh, 1986) Visual artist based in Ankara - Turkey. He studies a doctorate in painting at Hacettepe University. Ehsan is known for his oil painting portraits of women with Halftone look. His portraits of women are pulled from his photos of models and random fashion photos from the internet. Ehsan has focused on portraiture of women for the better part of his career, though he also has B.A in architecture engineering and had a notable career as a caricaturist in his youth (1996-2006). Work In his late portraits, Ehsan is focused on women. This approach came from his fascination with Iranian modern poet Forough Farrokhzad. Using halftone images came from his statements about the contemporary image of women and it’s aesthetics in the age of mass-production. Portraits of pretty women, cold and strong gazing directly at the viewers. It seems like that they will never age, they are not mothers and the effect of time seem to be missing in some kind of perfection in their appearance. Mathematic order and Deconstruction in his works are influenced by his experiences in architecture design and Derrida’s philosophy. For Ehsan, every portraiture translates by the audience and viewers' life experience and visual and social culture is effective in this translation. For the artist himself, painting is a translation of an idea or an experience. Ehsan values this journey of meaning from life to art and from art to an experience. The meaning and appearance of the subject changes in this translation and deconstruction in paintings emphasize this paradigm.

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