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Uva e melogani riproduzione di J.B.Chardin Painting

Daniela Caravita

Italy

Painting, Oil on Canvas

Size: 23.6 W x 17.7 H x 0.8 D in

Ships in a Crate

$2,450

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This work is a tribute to the French painter J.B.S. Chardin. It reproduces the painting "Grapes and Pomegranates" 1763, Louvre Museum. This painting will give your home the ancient taste of everyday objects painted in a realist style. The technique is oil on canvas.

Year Created:

2021

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

23.6 W x 17.7 H x 0.8 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I was born in Ravenna in 1964 and here my artistic journey unfolds, it moves from the wonderful and patient slowness of the mosaic artistic language up to the more immediate message of pictorial art. Oil painting allows me to express a narration that evokes the experience of remote people and lands, whose stories are the symbol of a space-time cyclicity that surrounds us and makes us sharers in the natural things of the world. Color is the primary element in my canvases: when I paint I am confronted with the emotional power of Expressionism, looking at the chromatic contrasts of the Byzantine pictor musivarius. I develop a way of representation that moves further and further away from traditional clichés, arriving to a sort of formal deformation that satisfies my need to link form to content.

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