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This series is called VICA. All pieces in this series are closely linked, forming a unit in style as well as in form. Its subject is the harmony between body, drapery, and movement. I wanted to paint a series where the model gives the impression that she strips or dresses up, but the essence was not laid in nudity or sensuality. Therefore I painted poses that are not usual, and only some suggestive parts can be directly seen of the body, which is otherwise made visible by the carefully painted clothes. In the paintings I combined plasticity with flatness. I wanted to give them an unfinished appearence, in order to let the compositions breath. I left the background almost completely unpainted because the focus was on the model, the motion, the folds of the drapery.  An important specificity of the series is that I used spare cloth scraps which were basically prepared by myself nailed to the wall. Later, when the canvas dries, this tensioned shape remains, making the composition more interesting. The painting’s harshness is in harmony with the presentation mode. So the canvas is not stretched to a frame simply nailed or hanged on the wall.
on exhibition

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Vica IX Painting

Szabrina Maharita

Hungary

Painting, Oil on Canvas

Size: 57.1 W x 32.3 H x 0.4 D in

Ships in a Tube

SOLD
Originally listed for $1,370

498 Views

14

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ABOUT THE ARTWORK

This series is called VICA. All pieces in this series are closely linked, forming a unit in style as well as in form. Its subject is the harmony between body, drapery, and movement. I wanted to paint a series where the model gives the impression that she strips or dresses up, but the essence was not laid in nudity or sensuality. Therefore I painted poses that are not usual, and only some suggestive parts can be directly seen of the body, which is otherwise made visible by the carefully painted clothes. In the paintings I combined plasticity with flatness. I wanted to give them an unfinished appearence, in order to let the compositions breath. I left the background almost completely unpainted because the focus was on the model, the motion, the folds of the drapery. An important specificity of the series is that I used spare cloth scraps which were basically prepared by myself nailed to the wall. Later, when the canvas dries, this tensioned shape remains, making the composition more interesting. The painting’s harshness is in harmony with the presentation mode. So the canvas is not stretched to a frame simply nailed or hanged on the wall.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

57.1 W x 32.3 H x 0.4 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born on March 7, 1989, in Beregszász, Transcarpathia. Graduated as a painter and graphic designer from Eszterházy Károly College. She is most interested in people and related subjects. For her, this topic offers the broadest palette for self-expression. She is intrigued by people as forms, as actors, and as characters. It is the most versatile subject in art, something that can be depicted in countless ways. In her works, the message is the primary consideration beyond beauty; therefore, she always strives to create something that makes people contemplate. She believes experimentation in both theme and expression is essential. In her opinion, anyone can create lasting art in their own way simply because creation is part of human nature. Value can be found in everything and everyone. Her works are mainly found in private collections abroad, throughout Europe and America

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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