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Waiting For Dante Painting

Roger Williamson

United States

Painting, Oil on Wood

Size: 18 W x 24 H x 2 D in

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About The Artwork

Waiting For Dante, Beatrice At The Inferno 1962, Wednesday night, the Orchid Ballroom. I am here with Virgil, a friend I knew from school. He left the previous year. I am still there, so he knows everything or, so he and I think at the time, about the greater world and its secrets. He is my guide as I attain to the limit of the night. The entrance to the night is a cavern of the new order loud, bright and exciting, a cacophony of chaotic sensory overload, the luring nectar to adolescence. Like nothing I have ever come upon, the Orchid Ballroom blossoms, a temple of a new infernal religion whose adherents’ incantations are spawned by the ambrosia of spinning black vinyl. Here, it is within the depths of the night one encounters an equivocal beast of legend. A shapeshifting being ascends from the deepest caverns of existence and legend, awakened by my faraway gaze through the bottom of a glass. It emerges and hypnotically lures me to its world This world of the night, at first vital and invigorating as one experiences with a first rush of cold mountain air, soon becomes a stinking claustrophobic gas of the pit. Too late you discover there is no escape of its asphyxiating and bewildering miasma. Deceived, you have been lured to ingest a poison you thought a road to the Gods. It was then she appeared, Beatrice, she who would show me, just in time, the illusion of the beast and the spell to return it to the glass. Virgil, who was able to bring me into this world but not out of it, because of his own self imprisonment in it, began to fade from view and as he paled so Beatrice seemed to absorb his substance and morphed into my new guide.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:18 W x 24 H x 2 D in

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Roger Williamson is a visual artist, residing and creating in Minneapolis Minnesota. Born in Loughborough, England, in 1947 and growing up in Coventry he was inspired from an early age by the French Symbolist painters of late nineteenth century France, These artistic influences, in conjunction with his own esoteric upbringing and practical experiences of magick, mythology and dream control, form the matrix, a collective oeuvre upon which his paintings and writings are an extension. Using diverse creative media, whether painting or writing books, Williamson endeavors to develop techniques that materialize the sensuous dreaming experience into the language of the waking world. Aspiring to reintroduce mystery and ambiguity back into the adventure of human existence through the creative process, encouraging artistic audiences towards "living effulgent and invigorating lives, revitalized from the secretions of our subconscious." Roger Williamson is the creator of Tarot of the Morning Star deck and the author of The Sun at Night. Statement Art is an externalization of struggle to rationalize and give form to something not understood. The artist, like the oyster, is driven to externalize this conflict into the image of a pearl. I believe art should be appreciated through a viewer's individual intercourse with the work, allowing the image to speak for itself and not be prejudged by societies academic paradigms. This concept has close parallels to techniques first acquired in childhood, such as the ability to stare at clouds and see recognizable images arise and fall in the mind’s eye out of what initially was perceived as chaos. Through this technique, letting a work speak to a deeper self than the superficial mind involves the viewer in the creative process, their imagination evolves the artwork to another level. The work is no longer stationary but part of a wave as is nature herself.

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