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Wychwood Painting

Iris Scott

United States

Painting, Oil on Canvas

Size: 72 W x 72 H x 2.2 D in

Ships in a Crate

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Originally listed for $39,300

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ABOUT THE ARTWORK

A gnarly, centuries-old juniper tree stretches its limbs toward the sky like woody fingers straining for the clouds. The colors are saturated and earthy, rooted firmly in the earth and the spirits that dwell within it. The tale of time, of winds and rains, is written in the grooves of the tree’s skin, the age-carved bark. Cellular patterns of lichen run throughout the composition–even the rocks have eyes. The atomic pattern-work creates a loose parallax effect. This canyon-side bonsai lived half a millennium and grew only a few feet before it breathed its last. Iris calls these trees earthen sculptures, enchanted by their cephalopod-like manifestations. Like Georgia O'Keeffe’s skull paintings, this piece captures the enchanting beauty that lives in the skeletons of trees.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

72 W x 72 H x 2.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Iris Scott (b.1984) grew up in Maple Valley, Washington on what she describes as a “one-family hippie commune”. She and her sister spent evenings listening to their mother, a writer, tell epic tales about the anthropomorphized lives of the family’s pet parrots, lizards, cats, goats, and rabbits—with wild coyotes appearing in the stories as special guest stars. Iris’ father, a custom cabinet maker, worked in a shop attached to the house, and Iris absorbed how a woodworker manifests their ideas with their hands. Iris continues the family’s storytelling tradition of magical realism, like her mother, and emulates her father by building the worlds she imagines with her hands. Scott’s college years were spent in Florence, in the same centuries-old halls where Raphael, Michelangelo, and Da Vinci worked. In her mid twenties Iris moved to a tiny apartment overlooking a rainforest outside of Kaohsiung, Taiwan. There she stumbled upon finger painting when a serendipitous lack of clean brushes prompted her to finish a painting with her fingertips. In that moment she recognized how fingers could scoop oil paint better than brushes, and overnight she committed to leaving her brushes behind. Scott worked exclusively as an oil finger painter from 2010 to 2020. The artist now blends all techniques when she paints, incorporating anything from brushes to palette knives. Recently Iris has begun diving into another tool of mark-making: high pressure air. Look for new cellular patterns in her work, these unique marks are another invention of hers which she calls “air painting.”

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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