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XL Cherry Biter No.3 Painting

Edie Nadelhaft

United States

Painting, Oil on Canvas

Size: 36 W x 36 H x 1.5 D in

Ships in a Box

SOLD
Originally listed for $7,575

13956 Views

259

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ABOUT THE ARTWORK
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In the Cherry Biter paintings, the biter is captured mid-chomp, teeth tearing at the fleshy fruit, suspended in a macabre state of pre-demolition. Saliva glistens on the tongue and teeth and the cherry, half-chewed is often unidentifiable. Lusciously rendered in vivid hues, the pictures are decadent...

Year Created:

2008

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

36 W x 36 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

Edie Nadelhaft, b. Pittsburgh, PA, is a New York City-based artist and avid motorcyclist whose realist oil paintings and playful glass and mixed media sculptures explore the impact of digital culture on human experience, as well as the exhilaration and quiet drama of existing in a finite physical state. Her works have been exhibited at museums, art fairs and galleries throughout North America, and internationally in Taiwan, Shanghai and Basel, Switzerland. Recent exhibitions include Eat The Heat, FROSCH & CO, (NYC, 2025), Lucky, FROSCH & CO, (NYC, 2025), The Every Woman Biennial, La MaMa Gallery (NYC, 2024) Peaks, FROSCH & CO, (NYC, 2023), Love Junk at SPRING/BREAK (NYC, 2022), We Ain't Goin' Nowhere (solo, Kasper Contemporary, NY, 2022),Give Me Some Skin (group, Sugarlift Gallery, NYC, 2021), Evening in America (solo, Lyons Wier Gallery, NYC, 2020), One For The Road (2 person, Frosch & Portmann, NYC, 2018), and Surface Tension (solo, William Scott Gallery, Provincetown, MA, 2016), The Contemporary Realism Biennial (Fort Wayne Museum of Art, Fort Wayne, IN, 2014), and Face to Face, Wall to Wall, a survey of trends in contemporary portraiture (Yellowstone Art Museum, Billings, MT, 2014). Ms. Nadelhaft’s work is in the permanent collection of The Ford Foundation (New York, NY), The University of New Mexico Health Sciences Center, (Albuquerque, NM) and Falconworks Theatre for Social Change, (Red Hook, NY). Her work has been published in The American Scholar (June 2017), Domino Magazine (Fall 2015), Juxtapoz (June 2014), Hi-Fructose (May 2014), The New York Times (July 2009), The Washington Post (October 2012) and Wall Street International (August 2014) among others. Awards & residencies include The Edward F. Albee Foundation Fellowship (summer 2024), The Artist in Residence at The Visible Vault, Yellowstone Art Museum, (Billings, MT, 2015), Platte Clove Artist-In-Residency, Catskill Center for Conservation and Development, (Platte Clove, NY, 2008), Fine Arts Painting Department Merit Award, Massachusetts College of Art, (Boston, MA, 1995) and the Combined Jewish Philanthropies Academic Scholarship, (Boston, MA, 1994). Born and raised in Pittsburgh, PA, Ms Nadelhaft studied painting and art history at SUNY Purchase and The School of the Museum of Fine Arts in Boston, and received her BFA with honors (painting, 1995) from The Massachusetts College of Art & Design.

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