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XL Cherry Biter No.3 Painting

Edie Nadelhaft

United States

Painting, Oil on Canvas

Size: 36 W x 36 H x 1.5 D in

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Originally listed for $8,000
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About The Artwork

In the Cherry Biter paintings, the biter is captured mid-chomp, teeth tearing at the fleshy fruit, suspended in a macabre state of pre-demolition. Saliva glistens on the tongue and teeth and the cherry, half-chewed is often unidentifiable. Lusciously rendered in vivid hues, the pictures are decadent, and unabashedly sexual, but the subject is something more inclusive than lust. It is, rather, the totality of sensual pleasures involved in the experience of biting into a cherry: the visceral satisfaction of crushing something plump and firm in one's teeth, the burst of flavor, the succulent juice, and finally, the satiation of hunger.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 36 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Edie Nadelhaft is a New York City-based artist and avid motorcyclist whose lush, visceral oil paintings and slick, technology-inspired sculpture have been exhibited at museums, art fairs and galleries throughout North America, and internationally in Taiwan, Shanghai and Basel, Switzerland. Recent exhibitions include Peaks , FROSCH & CO, NYC, 2023), Love Junk at SPRING/BREAK (NYC, 2022), We Ain't Goin' Nowhere (solo, Kasper Contemporary, NY, 2022),Give Me Some Skin (group, Sugarlift Gallery, NYC, 2021), Evening in America (solo, Lyons Wier Gallery, NYC, 2020), One For The Road (2 person, Frosch & Portmann, NYC, 2018), and Surface Tension (solo, William Scott Gallery, Provincetown, MA, 2016), The Contemporary Realism Biennial (Fort Wayne Museum of Art, Fort Wayne, IN, 2014), and Face to Face, Wall to Wall, a survey of trends in contemporary portraiture (Yellowstone Art Museum, Billings, MT, 2014). Ms. Nadelhaft’s work is in the permanent collection of The Ford Foundation (New York, NY), The University of New Mexico Health Sciences Center, (Albuquerque, NM) and Falconworks Theatre for Social Change, (Red Hook, NY). Her work has been published in The American Scholar (June 2017), Domino Magazine (Fall 2015), Juxtapoz (June 2014), Hi-Fructose (May 2014), The New York Times (July 2009), The Washington Post (October 2012) and Wall Street International (August 2014) among others. Awards & residencies include The Edward F. Albee Foundation Fellowship (summer 2024), The Artist in Residence at The Visible Vault, Yellowstone Art Museum, (Billings, MT, 2015), Platte Clove Artist-In-Residency, Catskill Center for Conservation and Development, (Platte Clove, NY, 2008), Fine Arts Painting Department Merit Award, Massachusetts College of Art, (Boston, MA, 1995) and the Combined Jewish Philanthropies Academic Scholarship, (Boston, MA, 1994). Born and raised in Pittsburgh, PA, Ms Nadelhaft studied painting and art history at SUNY Purchase and The School of the Museum of Fine Arts in Boston, and received her BFA with honors (painting, 1995) from The Massachusetts College of Art & Design.

Artist Recognition

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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