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"church bells, New England autumn afternoon" Painting

Malcolm Tuffnell, United States

Painting, Oil on Canvas

24 W x 30 H in

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a nostalgic fantasy, a memory of New England where i lived for nine years, many autumns, a special time of reflection and sadness. Children play after church in the grass while mom watches her. Rich autumn colors of late afternoon; a few clouds float by. This painting can be framed, one is available...

Year Created:

2020

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

24 W x 30 H x 3 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

Born in Santa Barbara, California, I have been a captive of the magic of ballet from a young age, and fascinated by skies and clouds. Both of these themes dominate my work. My ballet work evokes the fantasy world of the ballet stage, through my own poetic interpretations of the great ballets, such as the Nutcracker, Swan Lake, La Sylphide, and Giselle. The works are not meant to literally depict dancers and the ballet from a realist perspective, a la Degas, but rather from an imaginary viewpoint, as if one were in a romantic landscape of the mind, populated by swan ballerinas, clowns, and butterflies. In these densely painted works, layers of opaque paint are overlaid with other layers of transparent paint or glazes, in the manner of the Old Masters, creating a dense inner glow, a poetic atmosphere that communicates to the viewer the emotion of the dance. On the landscape: In my landscapes I enter a state of quiet meditation upon the light and clouds, and hope that they have the same effect on the viewer. I try to recreate from memory the emotional state that I experienced when in a particular place and at a particular time of day, especially late afternoon or sunset, a time of reflection when I think upon the end of the day and the end of life, the shortness of life

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