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indigo and white dissolve into pinks, side and face 1
indigo and white dissolve into pinks, side and face 2
indigo and white dissolve into pinks, detail 1
indigo and white dissolve into pinks, detail 2
indigo and white dissolve into pinks, rear of canvas

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indigo and white dissolve into pinks Painting

Emitt Kyle

United States

Painting, Oil on Canvas

Size: 39.4 W x 39.4 H x 0.9 D in

Ships in a Crate

SOLD
Originally listed for $1,540

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ABOUT THE ARTWORK

The deterioration of graffiti and marks made with spray-cans; in the urban environment on concrete surfaces. The deterioration of man-made objects and building materials. Disintergration. The painting was made by placing stretched canvas on the floor. A brush is loaded with paint and then tapped gently above the canvas to give a spray effect; the surface becoming made up of small dots and splashes of paint; giving a little surface texture. Layers of paint are applied one at a time; wet-on-wet or wet-on-dry depending on texture and visual effect desired. Each layer is of a differing tonal value. Each painting is made with as limited pallet of hues as possible. Painting is signed dated and titled on rear. The painting is ready to hang.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 0.9 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in the U.K. and although had no formal training in the arts became an art school gatecrasher at UCA (formerly KIAD) between 1995-2000. Lived in Asia from 2009 - 2018. Now lives in California U.S.A. Emitt makes abstract minimalist and colorfield paintings concerned with the instability of form; the collapse and disintegration of mass. Looking at ideas in science regarding molecular structure and concepts of existence and nonexistence found in Buddhist and Taoist philosophy. The composition of the work has been influenced by modernism and colorfield painting with an emphasis on the creation of negative space. The paintings are made by placing stretched canvas on the floor. A brush is loaded with paint and then tapped gently above the canvas to give a spray effect; the surface becoming made up of small dots and splashes of paint. Layers of paint are applied one at a time; wet-on-wet or wet-on-dry depending on texture and visual effect desired. Each layer is of a differing tonal value. Each painting is made with as limited pallet of hues as possible. The work is made with the intention to give the audience feelings of tranquility, peacefulness and calmness and a sense of commune with the universe outside and within.

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