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The creation process of which is in a way akin to psychoanalysis or meditation, where the artist follows the images of the unconscious without trying to give them the right form, but simply reading, Fedoar Akimova turns memories into landscapes.Their blur and fragmentation in this case are a metaphor for human memory, which is not always able to reliably capture and reproduce exactly all the features.
The creation process of which is in a way akin to psychoanalysis or meditation, where the artist follows the images of the unconscious without trying to give them the right form, but simply reading, Fedoar Akimova turns memories into landscapes.Their blur and fragmentation in this case are a metaphor for human memory, which is not always able to reliably capture and reproduce exactly all the features.
The creation process of which is in a way akin to psychoanalysis or meditation, where the artist follows the images of the unconscious without trying to give them the right form, but simply reading, Fedoar Akimova turns memories into landscapes.Their blur and fragmentation in this case are a metaphor for human memory, which is not always able to reliably capture and reproduce exactly all the features.
The creation process of which is in a way akin to psychoanalysis or meditation, where the artist follows the images of the unconscious without trying to give them the right form, but simply reading, Fedoar Akimova turns memories into landscapes.Their blur and fragmentation in this case are a metaphor for human memory, which is not always able to reliably capture and reproduce exactly all the features.
The creation process of which is in a way akin to psychoanalysis or meditation, where the artist follows the images of the unconscious without trying to give them the right form, but simply reading, Fedoar Akimova turns memories into landscapes.Their blur and fragmentation in this case are a metaphor for human memory, which is not always able to reliably capture and reproduce exactly all the features.

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l'étranger 36 Painting

Fedora Akimova

Georgia

Painting, Oil on Canvas

Size: 35.8 W x 43.7 H x 1.6 D in

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ABOUT THE ARTWORK

The creation process of which is in a way akin to psychoanalysis or meditation, where the artist follows the images of the unconscious without trying to give them the right form, but simply reading, Fedoar Akimova turns memories into landscapes.Their blur and fragmentation in this case are a metaphor for human memory, which is not always able to reliably capture and reproduce exactly all the features.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

35.8 W x 43.7 H x 1.6 D in

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Fiodora Akimova is a mixed-media artist specializing in installations, video, and objects. Born in 1987 in Kyiv, she began her creative career as an illustrator after obtaining her first degree in Printmaking and Graphic Design. In 2010, she moved to Russia, first to Kaliningrad, then to Saint Petersburg, where she studied set design and staging. This degree in Theater Decoration and Scenography had a significant influence on her artistic development, as she integrated various techniques and crafts into her work. Since March 2022, Fedora has been living and working in Tbilisi (Georgia) and Paris. Before February 24, her works resembled plastic experiments used to express global civilizational and philosophical issues, reflecting an escapism into a hypothetical world devoid of humanity. The full-scale invasion, her relocation, and the complete upheaval of her daily life led her to reevaluate her identity and artistic strategy. Her "pre-war" research and artistic themes lost their relevance, pushing her to reinvent her artistic language.

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Artist featured by Saatchi Art in a collection

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