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"morninglight" Painting

Walter Loepfe, Switzerland

Painting, Oil on Canvas

78.7 W x 39.4 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
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Inspired by Ferdinand Hodler and his great Mountain Paintings. The early light on the mountainside, the dark shady gleaming rocks with the snow on the peaks and the first springgreen in the bleak sunshine of the morning give you a somehow scary and powerful impression of these steep rockfaces. Only ...

Year Created:

2012

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

78.7 W x 39.4 H x 2.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Switzerland.

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Need more information?

A pinch of Hodler a wiff of modern graphics and a abundance of me It began in early childhood, after visiting artschool and an apprentiship as a windowdresser came the love for any sort of pictures, comics, photos, oils, watercolour etc. After extensive travels in Europe, Russia and the Middle East as well as a couple of years in Scandinavia trained my eye for extreme light and shade situations and showed a great love for nature and landscapes. The life in South Africa extended the love and understanding of colour and athmosphaere. Back in Switzerland I found all these aspects in the works of the Impressionists especially Ferdinand Hodler, Cuno Amiet, Felix Valoton, Giovanni Giacometti etc. Their deap understanding and interpretation of mountains and landscapes with their allways changing colours and impressive monumental structures lead to my own interpretations. These are most often put in my studio early in the morning with nthe means of watercolour or oils and on the base of scetches, watercolours, textfragments and photographs, on to paper, wood or canvas. "But he eye realizes more then there is space on a canvas" witch means an unending yet inspiring struggle for me.

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