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persona Painting

Hamza Qazi

Pakistan

Painting, Oil on Canvas

Size: 30 W x 24 H x 1.5 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

"Half in, half out, still to fade out Progeny fall into one another How safe does it sound? Line of cyan is all I see Hold tight. However, you'll still drown"

Year Created:

2020

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

30 W x 24 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Pakistan.

Need more information?

Need more information?

As single entity I believe we are basically the chaotic amalgamate of the episodes, experiences and bodies we interact throughout our lives. Then meanwhile we get to meet our real selves in the process and this is the process I’m really interested in. I use parts of human figure develop a chaotic surrealist image that somehow tries to engrave harmony within the work itself. My work is all about finding my own self in the depiction of the 'process' in my painitngs. I works in all mediums of paintings and explore different techniques of paintings in all mediums. I surrounds myself with serious art and my work is heavily influenced by the techniques of old Masters and idea of using these techniques in my contemporary practice. As an Artist my aim is to achieve a balance between my own existence and surrounding. Initially I let my work to decide the direction throughout the process till completion. I don’t plan out the whole work in advance. Moreover, I’m interested in the idea of a fragmented body in flux seeing the body in space that we don’t normally encounter it. In my work poses of models are mostly mirroring, turning and twisting. Funny gestures with interesting overlapping points some time make sense and sometime not and that is the whole point creating the whole junction of chaos and finding the order out of it and separating myself from it. To me the best part of my practice is that it’s always evolving. One image can be entirely different from other and I don’t force it to find any similarity at this point. Besides all this dialogue, intention, meaning and interpretation part I’m also interested in first level of interaction. A very first comment about the visual weather it is good or bad, working or not working, complete or incomplete. Well, yet it’s not one of my major concern right now I can say this as a personal subset of my practice.

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