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View In My Room

untitled Painting

Dagmar I Glausnitzer

Germany

Painting, Oil on Other

Size: 58 W x 59 H x 17 D in

Ships in a Crate

SOLD
Originally listed for $4,860

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ABOUT THE ARTWORK

Painting goes far beyond than making an image with oils, acrylics or mediums alike. In early days when I was very young, my parents often asked themselves where their daughter had disappeared to again. And most times there were indeed only a few options which they knew and had to check. Often there were locations or places where I would sit and ponder for a very long time. One of such places was the lawn. I would sit there for hours observing the mole’s fresh earth hill believing that any moment, he would surface, digging through the heavy earth and I would be there to witness it. If I had been dragged away from my observation spot, it would probably be the time when they appear and I could not miss this precious moment. Until today I have never seen a mole. The canvas is like the Petri dish a center of colourful microorganisms promissing to surface its very own structure amidst time of improvised, experimental sessions and the surreal search of combinations which have not surfaced before. The tableau and surfaces for ‘writing’ the image may it become painting, drawing or performance is the platform for visual thought processes which can not be lifted from the mind in any other way.

DETAILS AND DIMENSIONS
Painting:

Oil on Other

Original:

One-of-a-kind Artwork

Size:

58 W x 59 H x 17 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

lives in Braunschweig, Germany Werftraum Atelier for Art and Performance Art works in Braunschweig, professional artist previous senior former lecturer in London introducing performance art workshops, realising transitstation, international exhibition as Event , London 2003, Berlin 2005, Edinburgh 2006 and transitstation Copenhagen in 2010, collaboration with the Royal Danish Academy. The work negotiates the incomprehensible complexity when being surrounded by objects of sensory stimulation, and the attempt of grasping attention to any one source can often be accomplished only with great difficulty. The studio space is Werftraum (ship yard) and is associated with translucent and imagined spaces in the mind. The reflection of these locations appears to place and reflect gathered and experienced objects. They become the instruments, which participate in the orchestration of unexpected tunes. The fine-tuning is a crucial process which tends to present the ambiguity and where the work begins and ends remains purposely unresolved thus the potential of change and transition continues to take place. With the accumulation of its particular parts, one is forced to combine and relate certain meanings and presuppositions only to find that the bigger picture is hardly suggested and it stays fleeting, escaping the desire to make sense as a defined whole. The question governs my work.

Artist Recognition
Artist featured in a collection

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