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Painting, Watercolor on Paper
Size: 20 W x 13.8 H x 0.1 D in
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This is, in a way, the companion piece to "sketch of Ybbs river". I painted this in a very detailed and realistic manner, applying subtle watercolour washes and glazes finally adjusted with a little egg tempera. As with "sketch of Ybbs river", the paper I painted this painting on, has been used before. TOn its back there are fragments of a sketch, an imaginary sea scene, which I later deemed unworthy of continuation. I do not exactly why I keep reusing paper and their backsides. In part it is my ingrained love of nature. Paper is a natural product, wasting it is against nature. Now, this form of awareness about natural resources might be called over-ambitious, but I can't help it. I am not this type of painter who uses loads and loads of papers and throws them away once I made a few sketches on it. I don't go through piles and roles of paper when processing a work of art, only scribbling ideas on it and then binning them. I try to use sketching paper and even watercolour paper with attention to its source: nature.
2018
Watercolor on Paper
One-of-a-kind Artwork
20 W x 13.8 H x 0.1 D in
Not Framed
Not applicable
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Austria.
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Born and raised in Vienna, I was trained at the "Künstlerische Volkshochschule Lazarettgasse" in naturalistic, portrait and figure drawing for several years, and was taught oil as well as watercolour painting techniques. Later, I studied Classical Philology and Philosophy at the University of Vienna. My two great passions are visual art and literature. Having said that, I think it necessary to say that I do not mix up my interests in literature with my painting, but rather let them stand and thrive separately. Yet, although my literary and theoretical training may not have an impact on my visual artworks, it plays a crucial role in my artistic thinking, for it helps me to find a way through the sheer impenetrable jungle of contemporary art theories, concepts and ideas that shape our modern thinking of what "good" art is or ought to be. Even if I use a variety of different media and materials, I have a unique and very deep passion for watercolour. This is the medium I discovered first as a child, this is the medium I learned with how to represent reality. Since then, of course, my style expanded beyond realism. Now and then, however, I return to it. But my love for watercolour is still the same. It is my aspiration to find a completely new form, a new visual language for watercolour, as it were, because, looking at watercolour painting today, I surmise that most of it seems stuck somewhere between a formulaic form of realism and an odd revival of expressionism.
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