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View In My Room

8mm - Limited Edition 1 of 3 Photograph

Mirko Credito

Italy

Photography, Color on Aluminium

Size: 39.4 W x 39.4 H x 0.1 D in

Ships in a Crate

This artwork is not for sale.

138 Views

4

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

8mm film coil, fried and photographed in a dark room. Memories lost forever

Year Created:

2017

Subject:
Mediums:

Photography, Color on Aluminium

Rarity:

Limited Edition of 1

Size:

39.4 W x 39.4 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Multidisciplinary artist. Mirko Credito was born in Genoa. During his studies at art high school, he founded Studiomobile, an art group that is still active today, where he began his artistic experiments with video and photography. He attended the School of Applied Arts at the Castello Sforzesco in Milan and in 1994 he started his activity as a graphic designer at the same time as an artist. From 2011 to 2015, he taught Digital Design at the Ligustica Academy of Fine Arts in Genoa. Continuously engaged in the field of video art and photography, he started a research on the use of food material as a means of expression. The series Fritture is an evolution of his previous work Maschere di patate (Masks of Potatoes), made by photographing decontextualised real crisps. The Fritture are technically treated according to a special technique: they are beaten and fried in boiling oil, then scanned with a high-definition device to produce large-format prints. Some of the objects in Fritture are a gun, a keyboard, a manga doll. The objects stand out against black backgrounds, like old icons, cropped, almost abstract, well disguised behind the gold that frying seems to imbue with gluttony and visual nausea. In a subsequent phase of his artistic journey, he changed his technique, working with materials that belong to the history of graphics and photography—films, photocopies, transferable letters, printed and recycled paper. He returned to the darkroom, creating one-step videos and paintings with layered techniques, marking a new chapter in his experimentation.

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