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Anomaly iv - Limited Edition of 12 Photograph

Desiree Patterson

Canada

Photography, Digital on Aluminium

Size: 65 W x 48 H x 2 D in

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$8,500USD

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About The Artwork

Desirée traveled to Nepal in 2018, where she completed a twelve-day trek to Mount Everest basecamp, to document the renowned glacial landscapes. The series Anomaly, is a contemporary fusion of the world’s highest glaciers, overlaid with colour variations that communicate the fragility of this iconic, sacred region. The compositions are divided into thirds and produced as asymmetric diptychs (2 separate pieces). One-third of each landscape reveals a reddish hue, illustrating the scale of glacial loss for this coming century. The colour scheme is a merger of climate graphs generated by scientist Ed Hawkins, from the National Centre for Atmospheric Science, at the University of Reading. He created the visual graphs to simplify the communication of complex climate recordings, using colour bars that represent global warming trends. The graphs will be projected over the artworks during exhibition with the intent to promote dialogue regarding climate change and increase awareness of the ominous threat looming in the Himalayan region. Artwork Description: This artwork is printed onto Kodak Endura metallic paper, dry mounted to aluminum and finished with a UV lustre lamination. The red and blue hues shimmer with light and the large-scale compliments this beautiful capture of Mt Everest Basecamp. The details in this artwork are striking - this due to the high resolution digital capture through a Hasselblad medium format camera. The area in this composition is Mount Everest Basecamp (1) and the world's highest glacier, Khumbu Glacier with an elevation of 4,900m at its terminus and 7,600m at its source. *This artwork is available in 2 additional sizes, please contact a Saatchi representative for further options.

Details & Dimensions

Photography:Digital on Aluminium

Artist Produced Limited Edition of:12

Size:65 W x 48 H x 2 D in

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Desirée Patterson is a Canadian photographic artist currently living on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) nations, in Vancouver, BC. Her career began during a journey throughout nearly forty countries across four continents. As she documented her extensive travels, she repeatedly observed exhausted environments and impoverished situations. These experiences impacted Patterson deeply, they served as a catalyst inspiring the themes and direction of her art practice. Patterson’s artistic process consists of digital image capture and meticulous post manipulation of form, shape and orientation, turning disparate layers into unified compositions. From creating industrial landscapes that seamlessly interweave with the human form (Éveil, 2018) and composing mountainous landscapes that embody the idea of melting (Point de Fusion, 2018), to merging endangered glaciers with climate temperature data (Anomaly, 2020) and generating macrocosmic planets that depict the precarious impact of humans on nature (Anthropocene, 2019), her work captivates and challenges viewers. Patterson is both an artist and activist, ever aware of the harsh realities our earth is undergoing. It is within this ongoing state of dire predictions, global disasters, and bleak planetary projections that she seeks out the beauty and grace of the world in which we live in, waking us from a stilted slumber, with ambitions to propel us into collective action. Key thematics in her work include sustainability, environmental issues, social justice and humanity’s dystopic relationship with nature. Patterson has completed public art projects for the City of Richmond, BC Children’s Hospital and Capture Photography Festival among others. Her work is found within multiple public and private collections in Canada, the United States, Singapore, Europe and Hong Kong. In 2018 she trained with former Vice President Al Gore in Los Angeles, in the role of civilian leadership as part of the Climate Reality Project and in 2020, she was a selected mentee in the ICASC Futures/forward program, via SFU in partnership with Judith Marcuse Projects. Through visual art, the organization of public events and by conducting community engaged projects, Patterson feels that she can transcend societal barriers through stimulation of curiosity and imagination; creating unique opportunities to empower individuals and incite change.

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Featured in the Catalog

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Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Toronto, Los Angeles, Brooklyn

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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