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Photography, Digital on Aluminium
Size: 35.4 W x 35.4 H x 0.8 D in
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45 Views
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Artificial Love belongs to a trilogy of striking photography art pieces that Naomi felt compelled to create during the first ‘lockdown’ in response to the world that she was seeing at the time and the difficulties that we were all experiencing. The trilogy reference Naomi’s studies on ‘Societal Programming’ and ‘Conformity’ and her own story where she felt pressure as a woman and a mother to look and behave in a certain way, stay in her place, be good, be grateful and strive for society approved goals in life. Artificial Love came about from living in a world where we can be so technologically connected yet can feel such disconnect to our own self. Constantly comparing ourselves to others, striving for an image of perfection, judging ourselves and others, seeking approval and likes from external sources to fuel our inner happiness. The noise of these voices can become so loud and consuming, and the piece searches for how we can turn down these voices and turn up the voices of self sooth, self-kindness empathy and compassion for ourselves and others. Artificial Love is very much a story that represents the daily battle that we have in the modern world where it is easy to hear that we are not good enough. This creation is a good example of Naomi’s evolutionary nature, bringing photography, which has always been a medium that features in her working process, to a medium in its’ own right. Coupled with her desire to juxtapose what looks like a glossy vogue styled image against something with a deeper meaning, this image is a real Collector’s piece and recently exhibited at The Saatchi Gallery, London.
2020
Digital on Aluminium
One-of-a-kind Artwork
35.4 W x 35.4 H x 0.8 D in
Not applicable
Yes
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Naomi Wallens, a British contemporary multidisciplinary artist working with painting, sculpture and neon. Self-taught as a street artist, Wallens is becoming well known in the art world for her provocative artwork exploring the subtleties of societal pressures of conformity and the profound impact this has on our ability to feel connected to our own self. Drawing on her own experiences as a woman and mother and the experiences of those that she collaborates with, Wallens’ works are unorthodox products of visual story-telling that fight and challenge societal injustices and champion empowerment and love. Wallens pushes her emotional boundaries to become the subject in many of her painted works and directly makes use of the female form using her own body in many of her sculptures to illustrate the stories she sets to tell. Wallens’ latest work has evolved from containing a strong autobiographical element in examining her own experiences of happiness (and the not so happy ones) to observing human behaviours and emotions within the framework of the society in which we live today, depicting subjects at odds with their often glamorous appearance. Before launching her career as an artist Wallens followed a conventional academic route, eventually bagging herself a business qualification before embarking on a career in the corporate world. Feeling disillusioned and empty with her pre-conditioned life, this fuelled her ever-rebellious inner self to go on a courageous and often painful journey of self-discovery as an artist. Wallens debuted her most recent collection at Startnet, The Saatchi Gallery in October 2020. Wallens wanted to capture the mood of the World during ‘lockdown’, representing the internal and external battles that many of us have in the modern world to love and be loved for who we are, exploring the effects of societal programming and cultural conditioning, captivating the viewer with soul-stirring intrigue. Wallens’ work has now become a firm favourite with international high net worth private art collectors and interior designers alike.
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