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Photography, Digital on Paper
Size: 7.8 W x 7.8 H x 0.1 D in
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32 Views
2
Then, from the impressions of the first contact with the clay and practicing portrait photography as an exercise in contemplating subjectivities, beginning the search for common ground between working with clay and the photographic exercise. In the visual register with mud a noise is added that destabilizes the composition in my sense; The wet and soft volume on the face is freed from facial references and this absence of detail makes more abstract aspects appear. In some shots, hands and eyes are present, the rest of the facial references are replaced by ephemeral forms made by a subject that is built destroying his own representation. - Luego de las impresiones del primer contacto con la arcilla y practicando la fotografía de retrato como un ejercicio de contemplación de subjetividades, comencé la búsqueda de puntos en común entre el trabajo con arcilla y el ejercicio fotográfico. En el registro visual con barro se agrega un ruido que a mi entender desestabiliza la composición; el volumen húmedo y blando sobre la cara queda liberado de las referencias faciales y esta ausencia del detalle hace aparecer aspectos más abstractos. En algunas tomas, las manos y los ojos están presentes, el resto de las referencias faciales son reemplazadas por formas efímeras realizadas por un sujeto que se construye destruyendo su propia representación. oscarbarbery.com/carafang-oscar-barbery-ceramics-video-installation-photography/
2017
Digital on Paper
10
7.8 W x 7.8 H x 0.1 D in
Not Framed
Not applicable
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In the relationship between the forms there is a narrative of proximity, of contact, of encounter, and it is probable that this narrative is not only composed of concepts but fundamentally of sensations. In Oscar Barbery's work, sculpture is the verb, it is the action and it is the subject, its formal constitution is the result of representations of the self-determined movement of matter: undefined bodies that attract, compose and project themselves. The relationship between them suggests a new nature or an amplified nature. A Latin American artist who has lived in Europe for more than 10 years, he works mainly with clay and its ceramic processes. He has been selected by the Museo internazionale delle ceramiche de Faenza in its 2021 residency programme and currently lives and works between Barcelona and Rimini, Italy. His work has been acquired by museums such as the MAC and the Museo Nacional de Arte de Bolivia. She holds a Master's degree in contemporary artistic creation from the University of Barcelona, where she developed POSTRE, a performance festival with 4 editions. She has had solo and group exhibitions and her work has been published in various Latin American contemporary art publications.
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