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View In My Room

ceramic bird Photograph

David Morris Cunningham

Photography, Digital on Other

Size: 3.9 W x 3.9 H x 0.1 D in

This artwork is not for sale.

298 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

archival pigment print. printed on hahnemuhle bamboo fine art paper using epson ultrachrome k3 inks. signed, dated and titled au verso.

Year Created:

2011

Subject:
Styles:
Mediums:

Photography, Digital on Other

Rarity:

One-of-a-kind Artwork

Size:

3.9 W x 3.9 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Need more information?

Need more information?

David Morris Cunningham is a working photographer living in Woodstock, New York. He has studied with Douglas Beasley, Richard Edelman, Greg Gorman, Kevin Lynch, Lydia Panas and Peter Turnley, among others. His work has been shown at The Gallery for Fine Art Photography in Fort Collins, CO; the Woodstock Artist's Association Museum in Woodstock, NY; The Cabane Gallery in Phoenicia, NY; The Van Brunt Gallery in Beacon, NY; Oriole 9 in Woodstock and The Living Room in Kingston, NY. David's work has also been published in Chronogram and Roll magazines. David's photograph Birds was chosen by Brooks Jenson to be included in the Gallery for Fine Art Photography's 2009 group show, NEGATIVE SPACE. His series ILLUSION OF MEMORY was featured in volume 2, issue 3 of the online photography magazine, . Cafe won honorable mention in the 2009 WAAM member's show. Dad's Hammer was chosen to be a part of the inaugural issue of the online magazine Awosting Alchemy. Current Work: REMEMBRANCES OF THINGS PRESENT was made in support of my decision to let go of the things that no longer served me. Things I reflexively collected over the years: mementos and books and boxes of random items I once thought important; useful tools along my journey, now bookmarks no longer referred to. Objects allied to the collection of threadbare beliefs whose subscriptions had long ago expired. My original idea for the series was to photograph the memory objects as I released them. Rid myself of the clutter while maintaining a visual history. As I began to make the images it struck me that I wasn't letting go emotionally. I was merely removing the physical evidence. I continued to hold on. I was performing a sort of synaptic alchemy. An exercise in shape-shifting. And then, suddenly, the idea decided to go off in a new direction, to follow a divergent path. Photograph the things I keep. Photograph the things I place around myself. Photograph the objects that continue to speak to me, whether in the physical or the emotional or the metaphorical. Photograph where I am now. I am learning to live more simply, more spiritually and more in the present. I am learning to be less harmful. I am learning to surround myself with beauty. I am learning to support myself. REMEMBRANCES OF THINGS PRESENT is a collection of poems. A collection of self-portraits. It is a reflection in the mirror. It is the path I am learning to follow: quiet, simple and uncluttered.

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